down, and I regarded the visit as a kind of holiday rather than as a serious investigation. Nevertheless, from force of habit I carried out my inquiry in the scientific spirit that is so absolutely essential in these matters. The Slippertons' house was on the outskirts of a small town in Buckinghamshire. The shell of the house dated from the early seventeenth century. (You will find it described in the Inventory of the Royal Commission on Historical Monuments--the second volume of the Buckinghamshire survey.) But the inside had been gutted and replanned to suit our modern requirements, such as the need for making each bedroom accessible without passing through other bedrooms, the necessity for a fitted bathroom, and so on.
I found the house as Slipperton had warned me that I should, in a chaotic condition inside. Everything movable seemed to have been moved--without any definite intention, so far as I could see, but just for the sake of upsetting the decent order of the household. I found a frying-pan, for instance, hung on the hook that was designed for the dinner-gong, and the gong inside one of the beds. A complete set of bedroom ware had been arranged on the drawing-room table; and apparently some witticism had been contemplated with a chest of drawers, which had become firmly wedged into the angle of the back staircase. In short, the usual strange feats that characterise poltergeist phenomena.
I touched none of these misplaced things with the exception of the frying-pan, which I needed to cook the sausages I had brought with me; but after I had had my meal, I went through all the rooms and entered the position of every article in a large note-book, making plans of each room, besides a full list of the furniture and ornaments it contained. Later, I went up into the roof and disconnected the water supply, afterwards emptying the cistern and all the pipes. And before I went to bed I turned off the electric light at the main switch. All these precautions, as I need hardly tell you, were absolutely essential. It might appear difficult to explain the moving of a large chest of drawers by the sound of water-pipes or the fusing of an electric wire; but the critics of psychical research have essayed far more difficult tasks than that, to their own entire satisfaction.
I went up to the bedroom the Slippertons used to occupy, a little before eleven o'clock. I had with me a couple of spare candles, a new notebook, and a fountain pen. I was even at that time, I may add, a highly trained researcher in every way, and was quite capable of taking a full shorthand report of a s��ance. I tried my pulse and temperature before getting into bed and found them both normal. So far, there had been no sign of any phenomena; and I was not at all nervous. Indeed, I may say that I have never been nervous with spirits.
I had brought the Pickwick Papers upstairs to read in bed--it is always as well to choose some book that has no kind of bearing on the subject of one's investigation--and I was in the middle of the Trial Scene when my attention was caught by the sound of something moving in the room. I had left both windows wide open and the curtains undrawn, and I thought at first that an unusually large moth had flown in and was fluttering against the ceiling. I laid down my book, sat up and looked round the room, but I could see nothing. The night was very still, and the candle on the table by my bed burnt without a flicker. Nevertheless, the sound continued; a soft, irregular fluttering that suggested the intermittent struggle of some feeble winged creature. It occurred to me that a wounded bat or bird might have flown into the room and might be struggling on the floor out of sight near the foot of the bed. And I was about to get up and investigate when the flame of the candle sank a little, and I became aware that the temperature of the room was perceptibly colder.
I picked up my note-book at once and made an entry of the circumstances, and the exact time.
When I looked up again, the sound of fluttering had ceased and the candle was once more burning brightly; but I now perceived a kind of uncertain vagueness that was apparently trying to climb on to the rail at the foot of the bed. When I first saw it, it could not be described as a form. It had rather the effect of a patch of dark mist, with an irregular and changing outline, that obscured to a certain extent the furnishings of the room immediately behind it.
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