and at last confined him to his chamber and his bed; where he was worn gradually away without pain, till he expired, Nov. 25, 1748, in the seventy-fifth year of his age.
Few men have left behind such purity of character, or such monuments of laborious piety. He has provided instruction for all ages, from those who are lisping their first lessons, to the enlightened readers of Malbranche and Locke; he has left neither corporeal nor spiritual nature unexamined; he has taught the art of reasoning, and the science of the stars.
His character, therefore, must be formed from the multiplicity and diversity of his attainments, rather than from any single performance; for it would not be safe to claim for him the highest rank in any single denomination of literary dignity; yet perhaps there was nothing in which he would not have excelled, if he had not divided his powers to different pursuits.
As a poet, had he been only a poet, he would probably have stood high among the authors with whom he is now associated. For his judgement was exact, and he noted beauties and faults with very nice discernment; his imagination, as the Dacian Battle proves, was vigorous and active, and the stores of knowledge were large by which his fancy was to be supplied. His ear was well-tuned, and his diction was elegant and copious. But his devotional poetry is, like that of others, unsatisfactory. The paucity of its topics enforces perpetual repetition, and the sanctity of the matter rejects the ornaments of figurative diction. It is sufficient for Watts to have done better than others what no man has done well.
His poems on other subjects seldom rise higher than might be expected from the amusements of a Man of Letters, and have different degrees of value as they are more or less laboured, or as the occasion was more or less favourable to invention.
He writes too often without regular measures, and too often in blank verse; the rhymes are not always sufficiently correspondent. He is particularly unhappy in coining names expressive of characters. His lines are commonly smooth and easy, and his thoughts always religiously pure; but who is there that, to so much piety and innocence, does not wish for a greater measure of sprightliness and vigour? He is at least one of the few poets with whom youth and ignorance may be safely pleased; and happy will be that reader whose mind is disposed by his verses, or his prose, to imitate him in all but his non-conformity, to copy his benevolence to man, and his reverence to God.
PREFACE.
THE following extract from the Doctor's Preface, as it contains the plan of his version of the Psalms, may be found useful:
"I come therefore to explain my own design, which is this, To accommodate the book of Psalms to Christian worship. And in order to do this, it is necessary to divest David and Asaph, &c. of every other character but that of a psalmist and a saint, and to make them always speak the common sense, and language of a Christian.
"Attempting the work with this view, I have entirely omitted several whole psalms, and large pieces of many others; and have chosen out of all of them, such parts only as might easily and naturally be accommodated to the various occasions of the Christian life, or at least might afford us some beautiful allusion to Christian affairs. These I have copied and explained in the general style of the gospel; nor have I confined my expressions to any particular party or opinion; that in words prepared for public worship, and for the lips of multitudes, there might not be a syllable offensive to sincere Christians, whose judgments may differ in the lesser matters of religion.
"Where the Psalmist uses sharp invectives against his personal enemies, I have endeavoured to turn the edge of them against our spiritual adversaries, sin, Satan, and temptation. Where the flights of his faith and love are sublime, I have often sunk the expressions within the reach of an ordinary Christian: where the words imply some peculiar wants or distresses, joys, or blessings, I have used words of greater latitude and comprehension, suited to the general circumstances of men.
"Where the original runs in the form of prophecy concerning Christ and his salvation, I have given an historical turn to the sense: there is no necessity that we should always sing in the obscure and doubtful style of prediction, when the things foretold are brought into open light by a full accomplishment. Where the writers of the New Testament have cited or alluded to any part the Psalms, I have often indulged the liberty of paraphrase, according to the words of Christ, or his Apostles. And surely this may be esteemed the word of
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