The Poetical Works of Alexander Pope, vol 1 | Page 5

and others. The first volume
appeared in June 1715, and the other volumes followed at irregular
intervals. He began it in 1712, his twenty-fifth year, and finished it in
1718, his thirtieth year. Previous to its appearance, his remuneration for
his poems had been small, and his circumstances were embarrassed; but
the result of the subscription, which amounted to £5320, 4s., rendered
him independent for life.
While at Binfield, he had often visited London; and there, in the society
of Howe, Garth, Parnell, and the rest, used to indulge in occasional
excesses, which did his feeble constitution no good; and once,
according to Colley Cibber, he narrowly escaped a serious scrape in a
house of a certain description,--Colley, by his own account, "helping

out the tomtit for the sake of Homer!" This statement, indeed, Pope has
denied; but his veracity was by no means his strongest point. After
writing a "Farewell to London," he retired, in 1715, to Twickenham,
along with his parents; and remained there, cultivating his garden,
digging his grottos, and diversifying his walks, till the end of his days.
Some years before, he had become acquainted with Lady Mary Wortley
Montague, the most brilliant woman of her age--witty, fascinating,
beautiful, and accomplished--full of enterprise and spirit, too, although
decidedly French in her tastes, manners, and character. Pope fell
violently in love with her, and had her undoubtedly in his eye when
writing "Eloisa and Abelard," which he did at Oxford in 1716, shortly
after her going abroad, and which appeared the next year. His passion
was not requited,--nay, was treated with contempt and ridicule; and he
became in after years a bitter enemy and foul-mouthed detractor of the
lady, although after her return, in 1718, she resided near him at
Twickenham, and they seemed outwardly on good terms.
In 1717, and the succeeding year, Pope lost successively his father,
Parnell, Garth, and Rowe, and bitterly felt their loss. He finished, as we
have seen, the "Iliad" in 1718; but the fifth and sixth volumes, which
were the last, did not appear till 1720. Its success, which at the time
was triumphant, roused against him the whole host of envy and
detraction. Dennis, and all Grub Street with him, were moved to assail
him. Pamphlets after pamphlets were published, all of which, after
reading with writhing anguish, Pope had the resolution to bind up into
volumes--a great collection of calumny, which he preserved, probably,
for purposes of future revenge. His own friends, on the other hand,
hailed his work with applause,--Gay writing a most graceful and
elegant poem, in ottava rima, entitled, "Mr Pope's Welcome Home
from Greece," in which his different friends are pictured as receiving
him home on the shores of Britain, after an absence of six years.
Bentley, that stern old Grecian, avoided the extremes of a howling
Grub Street on the one hand, and a flattering aristocracy on the other,
and expressed what is, we think, the just opinion when he said, "It is a
pretty poem, but it is not Homer."

In 1721, he issued a selection from the poems of Parnell, and prefixed a
very beautiful dedication to the Earl of Oxford, commencing with--
"Such were the notes thy once-loved poet sung,
Till death untimely
stopp'd his tuneful tongue.
Oh, just beheld and lost, admired and
mourn'd,
With softest manners, gentlest arts adorn'd!"
In 1722, he engaged to translate the "Odyssey." He employed Broome
and Fenton as his assistants in the work; and the portions translated by
them were thought as good as his. He remunerated them very
handsomely. Of this work, the first three quarto volumes appeared in
1725; and the fourth and fifth, which completed the work, the
following year. Pope sold the copyright to Lintot for £600.
He was busy at this time, too, with an edition of Shakspeare,--not quite
worthy of either poet. It appeared in six volumes, quarto, in 1725. His
preface was good, but he was deficient in antiquarian lore; and his
mortification was extreme when Theobald, destined to figure in "The
Dunciad," a mere plodding hack, not only in his "Shakspeare
Restored," exposed many blunders in Pope's edition; but issued, some
years afterwards, an edition of his own, which was much better
received by the public.
In 1726, there was a great gathering of the Tory wits at Twickenham.
Swift had come from Ireland, and resided for some time with Pope.
Bolingbroke came over occasionally from Dawley; and Gay was often
there to laugh with, and be laughed at by, the rest. Swift had "Gulliver's
Travels"--the most ingenious and elaborate libel against man and God
ever written--in his pocket, nearly ready for publication; and we may
conceive the grim, sardonic smile with which he read it to his friends,
and their tumultuous mirth. Gay was projecting his "Beggars' Opera,"
and