The Pirate of Panama | Page 2

that stirred in me was a faint curiosity at the odd markings on the sheet.
My foot moved forward and pinned the paper to the cement walk. Should I pick it up? Of what use? It would turn out to be only some Chinese laundry bill. Already the gong of the street-car was not more than a block away as it swept down the hill.
Was it some faint sound that drew my eyes up? Or was I answering the call of my destiny when my lifted gaze met the figure of a young woman framed in a second-story window? She was leaning far out, with arm stretched down and fingers opened wide.
Behind her stood a man, also out of the window to his waist. One of his hands clutched her wrist, the other reached toward hers. That he had been trying to take from her the paper she had flung away was an easy guess.
I had but the fraction of a second before my car was slowing for the crossing, but it was long enough to read in his dark face a malignant rage, in her fair, flushed one a defiant triumph. Stooping, I gathered the document that lay under my foot, then ran forward and swung to the platform of the car.
If there had been time for second thought I might have stayed to see the drama out, or I might have left the cause of quarrel where it lay. As it was I had done neither one thing nor the other. Having yielded to impulse so far as to pick up the paper, I had then done the conventional thing and ignored the little scene above.
But when I glanced back up the hill I glimpsed a man flying bareheaded from a doorway and pursuing the car with gestures of impotent fury.
All the way down to the business quarter the odd affair challenged my interest. What did it mean? The picture in the window was no laughing romp meant to end in kisses. So much I was willing to swear. There was passion in both the faces.
Out of those two lives I had snatched a vivid moment, perhaps one of many common to them, perhaps the first their intersecting life-lines had developed.
Was the man her husband? I was not willing to think so. More likely a brother, I persuaded myself. For it was already being borne in upon me that freakish chance had swept me into the orbit of the thing we spell Romance.
A petty domestic quarrel suggested itself as the obvious solution, but the buoyant youth in me refused any such tame explanation. For the girl was amazingly pretty.
After a glance at it I put the crumpled paper in my pocketbook. In that crowded car, hanging to a strap, I could make nothing of it. At the office my time belonged to Kester & Wilcox until noon, for I was still in that preliminary stage of my legal career during which I found it convenient to exchange my inexperience for fifteen dollars a week. A clouded real-estate title was presumably engaging my attention, but between my mind and the abstract kept jumping a map with the legend "Doubloon Spit" above it.
Faith, the blood sang in my veins. The scent of adventure was in my nostrils. A fool you may think me, but I was already on the hunt for buried treasure. Half a dozen times I had the paper out furtively, and as soon as my hour of release came I cleared the desk and spread the yellow, tattered document upon it.
The ink had been originally red, but in places it was faded almost to illegibility. The worn edges at the folds showed how often it had been opened and scanned. One lower corner had been torn away, leaving perhaps seven-eighths of the original manuscript. Yet in spite of its imperfect state of preservation I found this relic of a dead and forgotten past pulse-stirring.
Before me lay the map of a peninsula, the upper part sketched in vaguely but the toe marked apparently with the greatest care. The first detail that caught my eye was a sketch of a brig in the bay, beneath which was written:
"Here Santa Theresa went to Hell."
It was plain that the coast line was charted accurately so as to show the precise location of the inlets. It was a contour map, giving the hills, sand reaches, and groves. At the nearest one of these last was jotted down the words: "Umbrela Tree."
A little cross had been drawn near the foot of a hill. From this a long line ran into the bay with a loop at the end in which had been printed neatly: "Where Lobardi croked. Good riddance."
Not far from this were three little circles, beneath which was one word in capitals, "ITTE."
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