"The Pillars of the House, vol 1
Project Gutenberg's The Pillars of the House, V1, by Charlotte M. Yonge #38 in our series by Charlotte M. Yonge
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: The Pillars of the House, V1
Author: Charlotte M. Yonge
Release Date: August, 2004 [EBook #6331] [Yes, we are more than one year ahead of schedule] [This file was first posted on November 27, 2002]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK THE PILLARS OF THE HOUSE, V1 ***
This etext of The Pillars of the House was prepared by Sandra Laythorpe,
[email protected]. A web page for Charlotte M Yonge will be found at http://www.menorot.com/cmyonge.htm
THE PILLARS OF THE HOUSE
OR
UNDER WODE, UNDER RODE
BY
CHARLOTTE M. YONGE
VOL. I
ILLUSTRATED BY HERBERT GANDY
CONTENTS TO VOL. I.
CHAP.
I. THE BIRTH-DAY GIFT
II. THE PICNIC
III. FORTUNATUS' PURSE
IV. TWILIGHT AND DAWN
V. WORKING FOR BREAD
VI. THE CACIQUE
VII. THE CHESS-PLAYER'S BATTLE
VIII. THE HOME
IX. THE THIRTEEN
X. THE FAMILY COBWEB ON THE MOVE
XI. THE CHORAL FESTIVAL
XII. GIANT DESPAIR'S CASTLE
XIII. PEGASUS IN HARNESS
XIV. WHAT IT MAY LEAD TO
XV. WHAT IT LED TO
XVI. THE WINTER OF DISCONTENT
XVII. MIDSUMMER SUN
XVIII. BY THE RIVER
XIX. THE HOUSE WITHOUT PILLARS
XX. VALE LESTON
XXI. A KETTLE OF FISH
XXII. THE REAL THING AND NO MISTAKE
XXIII. SMOKE-JACK ALLEY
THE PILLARS OF THE HOUSE
OR
UNDER WODE, UNDER RODE
CHAPTER I
THE BIRTHDAY GIFT
'O I've got a plum-cake, and a feast let us make, Come, school-fellows, come at my call; I assure you 'tis nice, and we'll all have a slice, Here's more than enough for us all.' JANE TAYLOR.
'It is come! Felix, it is come!'
So cried, shouted, shrieked a chorus, as a street door was torn open to admit four boys, with their leathern straps of books over their shoulders. They set up a responsive yell of 'Jolly! Jolly!' which being caught up and re-echoed by at least five voices within, caused a considerable volume of sound in the narrow entry and narrower staircase, up which might be seen a sort of pyramid of children.
'Where is it?' asked the tallest of the four arrivals, as he soberly hung up his hat.
'Mamma has got it in the drawing-room, and Papa has been in ever since dinner,' was the universal cry from two fine-complexioned, handsome girls, from a much smaller girl and boy, and from a creature rolling on the stairs, whose sex and speech seemed as yet uncertain.
'And where's Cherry?' was the further question; 'is she there too?'
'Yes, but--' as he laid his hand on the door-- 'don't open the letter there. Get Cherry, and we'll settle what to do with it.'
'O Felix, I've a stunning notion!'
'Felix, promise to do what I want!'
'Felix, do pray buy me some Turkish delight!'
'Felix, I do want the big spotty horse.'
Such shouts and insinuations, all deserving the epithet of the first, pursued Felix as he entered a room, small, and with all the contents faded and worn, but with an air of having been once tasteful, and still made the best of. Contents we say advisedly, meaning not merely the furniture but the inmates, namely, the pale wan fragile mother, working, but with the baby on her knee, and looking as if care and toil had brought her to skin and bone, though still with sweet eyes and a lovely smile; the father, tall and picturesque, with straight handsome features, but with a hectic colour, wasted cheek, and lustrous eye, that were sad earnests of the future. He was still under forty, his wife some years less; and elder than either in its expression of wasted suffering was the countenance of the little girl of thirteen years old who lay on the sofa, with pencil, paper, and book, her face with her mother's features exaggerated into a look at once keen and patient, all three forming a sad contrast to the solid exuberant health on the other side the door.
Truly the boy who entered was a picture of sturdy English vigour, stout-limbed, rosy-faced, clear eyed, open, and straight-forward looking, perhaps a little clumsy with the clumsiness of sixteen, especially when conscience required tearing spirits to be subdued to the endurance