The Physiology of Taste | Page 9

dialogue on this subject, but suppressed it for the purpose of permitting the reader, each in his own way, to think of the matter for himself. There is enough to occupy the mind and display intelligence and erudition during a whole evening.
We said above, that the genesiac sense took possession of the organs of all the others; the influence it has exerted over all sciences is not less. When we look closer, we will find that all that is most delicate and ingenious is due to the desire, to hope, or to gratitude, in connexion with the union of the sexes.
Such is, indeed, the genealogy of the senses, even the most abstract ones, all being the immediate result of continuous efforts made to gratify our senses.
PERFECTNESS OF THE SENSES.
These senses, our favorites, are far from being perfect, and I will not pause to prove it. I will only observe, that that ethereal sense--sight, and touch, which is at the other extremity of the scale, have from time acquired a very remarkable additional power.
By means of spectacles the eye, so to say, escapes from the decay of age, which troubles almost all the other organs.
The telescope has discovered stars hitherto unknown and inaccessible to all our means of mensuration; it has penetrated distances so great, that luminous and necessarily immense bodies present themselves to us only like nebulous and almost imperceptible spots.
The microscope has made us acquainted with the interior configuration of bodies; or has shown the existence of a vegetation and of plants, the existence of which we were ignorant of.
Animals a hundred thousand times smaller than any visible with the naked eye have been discovered; these animalculae, however, move, feed and multiply, establishing the existence of organs of inconceivable tenuity.
Mechanics have multiplied our power; man has executed all that he could conceive of, and has moved weights nature made inaccessible to his weakness.
By means of arms and of the lever, man has conquered all nature; he has subjected it to his pleasure, wants and caprices. He has overturned its surfaces, and a feeble biped has become king of creation.
Sight and touch, being thus increased in capacity, might belong to some species far superior to man; or rather the human species would be far different had all the senses been thus improved.
We must in the meantime remark, that if touch has acquired a great development as a muscular power, civilization has done almost nothing for it as an organ of sensation. We must, however, despair of nothing, but remember that the human race is yet young, and that only after a long series of years can the senses aggrandise their domain.
For instance. Harmony was only discovered about four centuries ago, and that celestial science is to sound what painting is to colors.
Certainly, the ancients used to sing and accompany themselves in unison. Their knowledge, however, ended there. They knew neither how to decompose sounds, nor to appreciate their relations. [Footnote: We are aware that the contrary has been maintained; the idea though cannot be supported. Had the ancients been acquainted with harmony, their writings would have preserved some precise notion on the matter, instead of a few obscure phrases, which may be tortured to mean anything. Besides, we cannot follow the birth and progress of harmony in the monuments left to us; this obligation we owe to the Arabs, who made us a present of the organ, which produces at one time many continuous sounds, and thus created harmony.]
Tone was only reduced to system, and accords measured in the fifteenth century. Only then it was used to sustain the voice and to reinforce the expression of sentiments.
This discovery, made at so late a day, yet so natural, doubled the hearing, and has shown the existence of two somewhat independent faculties, one of which receives sound and the other appreciates resonance.
The German Doctors say that persons sensible of harmony have one sense more than others.
Of those persons to whom music is but a confused mass of sounds, we may remark that almost all sing false. We are forced to think that they have the auditory apparatus so made, as to receive but brief and short undulation, or that the two ears not being on the same diapason, the difference in length and sensibility of these constituent parts, causes them to transmit to the brain only an obscure and undetermined sensation, like two instruments played in neither the same key nor the same measure, and which can produce no continuous melody.
The centuries last passed have also given the taste important extension; the discovery of sugar, and its different preparations, of alcoholic liquors, of wine, ices, vanilla, tea and coffee, have given us flavors hitherto unknown.
Who knows if touch will not have its day, and if some fortuitous circumstance will not open to