present. I told her you were so busy I didn't know when you could begin."
"I would stretch a point to please Mr. Hubbard. I am almost done with Irons, vulgar old cad. I wish I dared paint him as bad as he really looks."
"But your artistic conscience won't let you?" she queried, smiling. "He is a dreadful old creature; but he means well."
"People who mean well are always worse than those who don't mean anything; but I can make it up with Hubbard. He looks like Rubens' St. Simeon. I wish he wore the same sort of clothes."
"You might persuade him to, for the picture. But my second piece of news is almost as good. Helen is coming home."
"Helen Greyson?"
"Helen Greyson. I had a letter from her today, written in Paris. She had already got so far, and she ought to be here very soon."
"How long has she been in Rome?" Fenton asked.
He had suddenly become graver. He had been intimate with Mrs. Greyson, a sculptor of no mean talent, in the days when he had been a fervid opponent of people and of principles with whom he had later joined alliance, and the idea of her return brought up vividly his parting from her, when she had scornfully upbraided him for his apostasy from convictions which he had again and again declared to be dearer to him than life.
"It is six years," Mrs. Fenton answered. "Caldwell was born the March after she went, and he will be six in three weeks. Time goes fast. We are getting to be old people."
Fenton stared at his plate absently, his thoughts busy with the past.
"Has Grant Herman been married six years?" he asked, after a moment.
"Grant Herman? Yes; he was married just before she sailed; but what of it?"
Fenton laid down the fork with which he had been poking the bits of fish about on his plate. He folded his arms on the edge of the table, and regarded his wife.
"It is astonishing, Edith," he observed, "how well one may know a woman and yet be mistaken in her. For six years I have supposed you to be religiously avoiding any allusion to Helen's love for Grant Herman, and it seems you never knew it at all."
It was Mrs. Fenton's turn to look up in surprise.
"What do you mean?" she asked.
Her husband laughed lightly, yet not very joyously.
"Nothing, if you will. Nobody ever told me they were in love with each other, but I am as sure that Helen made Herman marry Ninitta as if I had been on hand to see the operation."
"Made him marry her? Why should he marry her if he didn't want to?"
"Oh, well, I don't know anything about it. I know Ninitta followed Herman to America, for she told me so; and I am sure he had no idea of marrying her when she got here. Anybody can put two and two together, I suppose, especially if you know what infernally Puritanical notions Helen had."
"Puritanical?"
The artist leaned back in his chair and smiled at his wife in his superior and tantalizing fashion.
"She thought she'd outgrown Puritanism," he returned, "but really she was, in her way, as much of a Puritan as you are. The country is full of people who don't understand that the essence of Puritanism is a slavish adherence to what they call principle, and who think because they have got rid of a certain set of dogmas they are free from their theologic heritage. There never was greater rubbish than such an idea."
Mrs. Fenton was silent. She had long ago learned the futility of attempting any argument in ethics with Arthur, and she received in silence whatever flings at her beliefs he chose to indulge in. She had even come hardly to heed words which in the early days of her married life would have wounded her to the quick. She had readjusted her conception of her husband's character, and if she still cherished illusions in regard to him, she no longer believed in the possibility of changing his opinions by opposing them.
Her thoughts were now, moreover, occupied with the personal problem which would in any case have appealed more strongly to the feminine mind than abstract theories, and she was considering what he had told her of Mrs. Greyson and Grant Herman, a sculptor for whom she had a warm admiration, and a no less strong liking.
However we busy ourselves with high aims, with learning, or art, or wisdom, or ethics, personal human interests appeal to us more strongly than anything else. Human emotions respond instinctively and quickly to any hint of the emotional life of others. Nothing more strikingly shows the essential unity of the race than the readiness with which all minds lay aside all concerns and ideas which they are
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