The Philanderers | Page 5

thing apart in itself, not as a symbol of success won in a cherished pursuit, argued some quality of weakness in the man, something unstable which would make for failure. His surprise was increased by an inability to recollect that Mallinson had ever considered literature as a means to his end. Long sojourning in the wilderness, moreover, had given Drake an exaggerated reverence for the printed page. He was inclined to set Mallinson on a pinnacle, and scourge himself at the foot of it for his earlier distrust of him. He opened the book again at the beginning, and let the pages slip across beneath his thumb from cover to cover; 413 was marked on the top corner of the last; 413 pages actually written and printed and published; all consecutive too; something new on each page. He turned to a porter.
'How long have I before the train starts?'
'Five minutes, sir.'
'Where is the telegraph office?'
The office was pointed out to him, and he telegraphed to Mallinson at the address of his publishers. 'Have just reached England. Dine with me at eight to-morrow at the Grand Hotel'; and he added after a moment's pause, 'Bring Conway, if you have not lost sight of him.--DRAKE.'
When the train started Drake settled himself to the study of A Man of Influence. The commentary of the salesman had prepared him for some measure of perplexity. There would be hinted references and suggestions, difficult of comprehension to the traveller out of touch with modern developments. These, however, would only be the ornaments, but the flesh and blood of the story would be perceptible enough. It was just, however, this very flesh and blood which eluded him; he could not fix it in a definite form. He did not hold the key to the author's intention.
Drake's vis-à-vis in the carriage saw him produce the book with considerable surprise, conscious of an incongruity between the reader and what he read. His surprise changed to amusement as he noticed Drake's face betray his perplexity and observed him turn now and again to the title upon the cover as though doubtful whether he had not misread it. He gave an audible chuckle.
Drake looked up and across the carriage at a man of about fifty years of age with a large red face and a close-cropped pointed beard. The chuckle swelled to a laugh.
'You find that a hard nut to crack?' Drake noticed a thickness in the articulation.
'I have been some years abroad. I hardly catch its drift,' explained Drake, and then with an effort at praise:
'It seems a clever satire.'
'Satire!' guffawed the other. 'Well, that's rich! Satire? Why, it's a manifesto. Gad, sir, it's a creed. I believe in my duty to my senses and the effectuation of me for ever and ever, Amen. The modern jargon! Topsy Turvydom! Run the world on the comic opera principle, but be flaming serious about it. Satire, good Lord!'
He flung himself back on his cushions with a snort of contempt.
'Look you, I'm not a pess--' he checked at the word and then took it at a run, 'a pessimist, but, as things are going on--well, you have been out of the country and--and you can't help it, I suppose. You may laugh! P'raps you haven't got daughters--not that I have either, praise glory! But nieces, if the father's a fool, wear you out very little less. Satire, ho! ho!'
The semi-intoxicated uncle of nieces relapsed vindictively into his corner and closed his eyes. Occasionally Drake would hear a muffled growl, and, looking in that direction, would see one inflamed eye peering from a mountain of rugs.
'Satire!' and a husky voice would address the passengers indiscriminately. 'Satire! and the man's not a day under forty either.'
Drake joined in the laugh and lit his pipe. He was not sensitive to miscomputations of his years, and felt disinclined to provoke further outbursts of family confidences.
Instead, he pursued his acquaintance with A Man of Influence, realising now that he must take him seriously and regard him stamped with Mallinson's approval, a dominating being. He found the task difficult. The character insisted upon reminding him of the nursery-maid's ideal, the dandified breaker of hearts and bender of wills; an analytical hero too, who traced the sentence through the thought to the emotion, which originally prompted it; whence his success and influence. But for his strength, plainly aimed at by the author, and to be conceded by the reader, if the book was to convince? Drake compared him to scree and shingle as against solid granite. Lean on him and you slip!
The plot was the time-worn, imperishable story of the married couple and the amorous interloper, the Influential Man, of course, figuring as the latter, and consequently glorified. The husband was pelted with ridicule from the first chapter to the