modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by disk, book
or any other medium if you either delete this "Small Print!" and all
other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that
you do not remove, alter or modify the etext or this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or
hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (_) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University".
We are planning on making some changes in our donation structure in
2000, so you might want to email me,
[email protected] beforehand.
*END THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*
This etext was scanned by David Price, email
[email protected]
from the 1886 Macmillan and Co. edition. Proofing was by Emma Hair,
Francine Smith and Matthew Garrish.
The Pension Beaurepas
by Henry James
CHAPTER I.
I was not rich--on the contrary; and I had been told the Pension
Beaurepas was cheap. I had, moreover, been told that a boarding- house
is a capital place for the study of human nature. I had a fancy for a
literary career, and a friend of mine had said to me, "If you mean to
write you ought to go and live in a boarding-house; there is no other
such place to pick up material." I had read something of this kind in a
letter addressed by Stendhal to his sister: "I have a passionate desire to
know human nature, and have a great mind to live in a boarding-house,
where people cannot conceal their real characters." I was an admirer of
La Chartreuse de Parme, and it appeared to me that one could not do
better than follow in the footsteps of its author. I remembered, too, the
magnificent boarding-house in Balzac's Pere Goriot,--the "pension
bourgeoise des deux sexes et autres," kept by Madame Vauquer, nee
De Conflans. Magnificent, I mean, as a piece of portraiture; the
establishment, as an establishment, was certainly sordid enough, and I
hoped for better things from the Pension Beaurepas. This institution
was one of the most esteemed in Geneva, and, standing in a little
garden of its own, not far from the lake, had a very homely,
comfortable, sociable aspect. The regular entrance was, as one might
say, at the back, which looked upon the street, or rather upon a little
place, adorned like every place in Geneva, great or small, with a
fountain. This fact was not prepossessing, for on crossing the threshold
you found yourself more or less in the kitchen, encompassed with
culinary odours. This, however, was no great matter, for at the Pension
Beaurepas there was no attempt at gentility or at concealment of the
domestic machinery. The latter was of a very simple sort. Madame
Beaurepas was an excellent little old woman--she was very far
advanced in life, and had been keeping a pension for forty years--
whose only faults were that she was slightly deaf, that she was fond of
a surreptitious pinch of snuff, and that, at the age