regarded each other through an instant's silence with visible good-fellowship.
"A reasonably strong company this time?" Lindsay asked.
"Thank you. 'Company' is gratifying. For a month we have been a 'troupe'--in the first-class end. Fairish. Bad to middling. Fifteen of us, and when we are not doing Hamlet and Ophelia we can please with light comedy, or the latest thing in rainbow chiffon done on mirrors with a thousand candlepower. Bradley and I will have to do most of the serious work. But I have improved--oh, a lot. You wouldn't know my Lady Whippleton."
It was a fervid announcement, but it carried an implication which appeared to prevent Lindsay's kindling.
"Then Bradley is here too?" he remarked.
"Oh yes," she said; and an instinct sheathed itself in her face. "But it is much better than it was, really. He is hardly ever troublesome now. He understands. And he teaches me a great deal more than I can tell you. You know," she asserted, with the effect of taking an independent view, "as an artist he has my unqualified respect."
"You have a fine disregard for the fact that artists are men when they are not women," Duff said. "I don't believe their behaviour is a bit more affected by their artistry than it would be by a knowledge of the higher mathematics."
She turned indignant eyes on him. "Fancy YOUR saying that! Fancy your having the impertinence to offer me so absurd a sophistry! At what Calcutta dinner-table did you pick it up?" she cried derisively. "Well, it shows that one can't trust one's best friend loose among the conventions!"
He had decided that it would be a trifle edged to say that such matters were not often discussed at Calcutta dinner-tables, when she added, with apparent inconsistency and real dejection, "It IS a hideous bore."
Lindsay saw his point admitted, and even in the way she brushed it aside he felt that she was generous. Yet something in him--perhaps the primitive hunting instinct, perhaps a more sophisticated Scotch impulse to explore the very roots of every matter, tempted him to say, "He gives up a good deal, doesn't he, for his present gratification?"
"He gives up everything! That is the disgusting part of it. Leander Morris offered him-- But why should I tell you? It's humiliating enough in the very back of one's mind."
"He is a clever fellow, no doubt."
"Not too clever to act with me! Oh, we go beautifully--we melt, we run together. He has given me some essential things, and now I can give them back to him. I begin to think that is what keeps him now. It must be awfully satisfying to generate artistic life in-- in anybody, and watch it grow."
"Doubtless," said Lindsay, with his eyes on the carpet; and her eyebrows twitched together, but she said nothing. Although she knew his very moderate power of analysis he seemed to look, with his eyes on the carpet, straight into the subject, to perceive it with a cynical clearness, and as Hilda watched him a little hardness came about her mouth. "Well," he said, visibly detaching himself from the matter, "it's a satisfaction to have you back. I have been doing nothing, literally, since you went away, but making money and playing tennis. Existence, as I look back upon it, is connoted by a varying margin of profit and a vast sward."
She looked at him with eyes in which sympathy stood remotely, considering the advisability of returning. "It's a pity you can't act," she said; "then you could come away and let it all go."
Lindsay smiled at her across the gulf he saw fixed. "How simple life is to you!" he said. "But anyway I couldn't act."
"Oh no, you couldn't, you couldn't! You are too intensely absorbent, you are too rigidly individual. The flame in you would never consent even for an instant to be the flame in anybody else-- any of those people who, for the purpose of the state, are called imaginary. Never!"
It seemed a punishment, but all Lindsay said was: "I wish you would go on. You can't think how gratifying it is--after the tennis."
"If I went on I have an idea that I might be disagreeable."
"Oh then, stop. We can't quarrel yet--I've hardly seen you. Are you comfortable here? Would you like some French novels?"
"Yes, thank you. Yes, please!" She grew before him into a light and conventional person, apparently on her guard against freedom of speech. He moved a blind and ineffectual hand about to find the spring she had detached herself from, and after failing for a quarter of an hour he got up to go.
"I shan't bother you again before Saturday," he said; "I know what a week it will be at the theatre. Remember you are to give the man his orders about the brougham. I can
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