The Passionate Pilgrim | Page 4

whether??Bad in the best, though excellent in neither.
VI.
If music and sweet poetry agree,?As they must needs, the sister and the brother,?Then must the love be great 'twixt thee and me,?Because thou lovest the one, and I the other.?Dowland to thee is dear, whose heavenly touch?Upon the lute doth ravish human sense;?Spenser to me, whose deep conceit is such?As, passing all conceit, needs no defence.?Thou lov'st to hear the sweet melodious sound?That Phoebus' lute, the queen of music, makes;?And I in deep delight am chiefly drown'd?Whenas himself to singing he betakes.?One god is god of both, as poets feign;?One knight loves both, and both in thee remain.
VII.
Fair was the morn when the fair queen of love,

Paler for sorrow than her milk-white dove,
For Adon's sake, a youngster proud and wild;
Her stand she takes upon a steep-up hill:
Anon Adonis comes with horn and hounds;
She, silly queen, with more than love's good will,
Forbade the boy he should not pass those grounds;
Once, quoth she, did I see a fair sweet youth
Here in these brakes deep-wounded with a boar,
Deep in the thigh, a spectacle of ruth!
See, in my thigh, quoth she, here was the sore.
She showed hers: he saw more wounds than one,
And blushing fled, and left her all alone.
VIII.
Sweet rose, fair flower, untimely pluck'd, soon vaded,?Pluck'd in the bud, and vaded in the spring!?Bright orient pearl, alack! too timely shaded!?Fair creature, kill'd too soon by death's sharp sting!?Like a green plum that hangs upon a tree,?And falls, through wind, before the fall should be.
I weep for thee, and yet no cause I have;?For why? thou left'st me nothing in thy will:?And yet thou left'st me more than I did crave;?For why? I craved nothing of thee still:?O yes, dear friend, I pardon crave of thee,?Thy discontent thou didst bequeath to me.
IX.
Venus, with young Adonis sitting by her,?Under a myrtle shade, began to woo him:?She told the youngling how god Mars did try her,?And as he fell to her, so fell she to him.?Even thus, quoth she, the warlike god embrac'd me,?And then she clipp'd Adonis in her arms;?Even thus, quoth she, the warlike god unlaced me;?As if the boy should use like loving charms;?Even thus, quoth she, he seized on my lips,?And with her lips on his did act the seizure;?And as she fetched breath, away he skips,?And would not take her meaning nor her pleasure.?Ah! that I had my lady at this bay,?To kiss and clip me till I run away!
X.
Crabbed age and youth?Cannot live together?Youth is full of pleasance,?Age is full of care;?Youth like summer morn,?Age like winter weather;?Youth like summer brave,?Age like winter bare;?Youth is full of sport,?Age's breath is short;?Youth is nimble, age is lame;?Youth is hot and bold,?Age is weak and cold;?Youth is wild, and age is tame.?Age, I do abhor thee;?Youth, I do adore thee;?O, my love, my love is young!?Age, I do defy thee;?O, sweet shepherd, hie thee,?For methinks thou stay'st too long.
XI.
Beauty is but a vain and doubtful good,?A shining gloss that vadeth suddenly;?A flower that dies when first it 'gins to bud;?A brittle glass, that's broken presently:?A doubtful good, a gloss, a glass, a flower,?Lost, vaded, broken, dead within an hour.
And as goods lost are seld or never found,?As vaded gloss no rubbing will refresh,?As flowers dead lie wither'd on the ground,?As broken glass no cement can redress,?So beauty blemish'd once, for ever's lost,?In spite of physic, painting, pain and cost.
XII.
Good night, good rest. Ah! neither be my share:?She bade good night that kept my rest away;?And daff'd me to a cabin hang'd with care,?To descant on the doubts of my decay.?Farewell, quoth she, and come again tomorrow:?Fare well I could not, for I supp'd with sorrow;
Yet at my parting sweetly did she smile,?In scorn or friendship, nill I construe whether:?'T may be, she joy'd to jest at my exile,?'T may be, again to make me wander thither:?'Wander,' a word for shadows like myself,?As take the pain, but cannot pluck the pelf.
XIII.
Lord, how mine eyes throw gazes to the east!?My heart doth charge the watch; the morning rise?Doth cite each moving sense from idle rest.?Not daring trust the office of mine eyes,?While Philomela sits and sings, I sit and mark,?And wish her lays were tuned like the lark;
For she doth welcome daylight with her ditty,?And drives away dark dismal-dreaming night:?The night so pack'd, I post unto my pretty;?Heart hath his hope, and eyes their wished sight;?Sorrow chang'd to solace, solace mix'd with sorrow;?For why, she sigh'd and bade me come tomorrow.
Were I with her, the night would post too soon;?But now are minutes added to the hours;?To spite me now, each minute seems a moon;?Yet not for me, shine sun to succour flowers!?Pack night, peep day; good day, of night now borrow:?Short, night, to-night, and length thyself to-morrow.
End of Project Gutenberg Etext of The Passionate Pilgrim