The Paris Sketch Book | Page 3

copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
We are planning on making some changes in our donation structure in 2000, so you might want to email me, [email protected] beforehand.

*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

This etext was prepared by Donald Lainson, [email protected].

THE PARIS SKETCH BOOK
OF
MR. M. A. TITMARSH
by
WILLIAM MAKEPEACE THACKERAY

ESTES AND LAURIAT, BOSTON
Publishers

CONTENTS.
THE PARIS SKETCH BOOK.
An Invasion of France
A Caution to Travellers
The F��tes of July
On the French School of Painting
The Painter's Bargain
Cartouche
On some French Fashionable Novels
A Gambler's Death
Napoleon and his System
The Story of Mary Ancel
Beatrice Merger
Caricatures and Lithography in Paris
Little Poinsinet
The Devil's Wager
Madame Sand and the new Apocalypse
The Case of Peytel
Four Imitations of B��ranger
French Dramas and Melodramas
Meditations at Versailles

DEDICATORY LETTER
TO
M. ARETZ, TAILOR, ETC.
27, RUE RICHELIEU, PARIS.
SIR,--It becomes every man in his station to acknowledge and praise virtue wheresoever he may find it, and to point it out for the admiration and example of his fellow-men.
Some months since, when you presented to the writer of these pages a small account for coats and pantaloons manufactured by you, and when you were met by a statement from your creditor, that an immediate settlement of your bill would be extremely inconvenient to him; your reply was, "Mon Dieu, Sir, let not that annoy you; if you want money, as a gentleman often does in a strange country, I have a thousand-franc note at my house which is quite at your service."
History or experience, Sir, makes us acquainted with so few actions that can be compared to yours,--an offer like this from a stranger and a tailor seems to me so astonishing,--that you must pardon me for thus making your virtue public, and acquainting the English nation with your merit and your name. Let me add, Sir, that you live on the first floor; that your clothes and fit are excellent, and your charges moderate and just; and, as a humble tribute of my admiration, permit me to lay these volumes at your feet.
Your obliged, faithful servant,
M. A. TITMARSH.

ADVERTISEMENT TO THE FIRST EDITION.
About half of the sketches in these volumes have already appeared in print, in various periodical works. A part of the text of one tale, and the plots of two others, have been borrowed from French originals; the other stories, which are, in the main, true, have been written upon facts and characters that came within the Author's observation during a residence in Paris.
As the remaining papers relate to public events which occurred during the same period, or to Parisian Art and Literature, he has ventured to give his publication the title which it bears.
LONDON, July 1, 1840.

AN INVASION OF FRANCE.
Caesar venit in Galliam summa diligentia."
About twelve o'clock, just as the bell of the packet is tolling a farewell to London Bridge, and warning off the blackguard-boys with the newspapers, who have been shoving