The Old Flute-Player | Page 3

he went to her after the audience had been "played out."
His own exclusiveness was very nearly as complete. He formed no intimacies among the members of the orchestra with whom he played eight times a week, although his face showed, sometimes, that he yearned to join their gossip, in the stuffy little room beneath the stage, which housed them when they were not in their places in the crowded space "in front" allotted to them.
"Tiens!" said the Frenchman who played second-violin. "Ze ol' man have such fear zat we should wiss to spik us wiz 'is daughtaire, zat 'e trit us lak we 'ave a seeckness catchable!"
It was almost true. He did avoid the chance of making her acquainted with any of the folk with whom his daily routine threw him into contact, with a care which might suggest a fear of some sort of contagion for her. But not all the members of the orchestra resented it. The drummer (who also played the triangle and tambourine when need was, imitated railway noises with shrewd implements, pumped an auto-horn when motor-cars were supposed to be approaching or departing "off-stage" and made himself, in general, a useful man on all occasions) was his firm friend and partisan.
"Garn, Frawgs!" he sneered, to the resentful Frenchman. "Yer 'yn't fit ter sye ther time o' dye ter 'er; yer knows yer 'yn't."
"Wat? To ze daughtaire of a flute!" the Second-Violin replied. "W'y--"
"Garn!" said the drummer. "Sye, yer myke me sick! You, with yer black-'aired fyce an' paytent boots! Hi bean 'ammerin' 'ide in horchestras since me tenth birthdye, but Hi knows a hangel w'en Hi sees one, an' lawst night Hi missed a 'ole bar on the snare fer lookin' up at 'er just once. Hi never see a brunette look so habsolutely hinnocent. Th' Ol' Nick's peekin' out o' brunettes' faces, somew'eres, mostly. Don't know w'at she myde me think of--m'ybe wreaths o' roses red an' pink, an' m'ybe crowns o' di'mun's--but Hi missed a 'ole bar on th' snare fer thinking somethink."
"Tiens!" the Frenchman began scornfully. "He is too much--"
"Garn!" said the drummer, threateningly, and it may be that the tinkle of the "ready" bell prevented something more than words between them, for the drummer, at the time, was holding the bass-drum-stick. He could have struck a mighty blow with it.
Just when the thought of leaving for America first began to grow in Kreutzer's mind, it would be hard to say, but it took definite form immediately subsequent to the London visit of a Most Exalted Personage from Prussia. On the last day of this Most Exalted Personage's stay Herr Kreutzer was enjoying, with his Anna, the long Sunday twilight in Hyde Park. They often strolled there of a Sunday evening. The Most Exalted Personage, being in a democratic mood and wishful of seeing London and its people quietly, was also strolling in Hyde Park and met the father and the daughter, face to face.
There was nothing, so far as Anna saw, about the stranger in plain mufti, to make her father drop his head, pull down his hat and hurry on, almost as if in sudden panic, dragging her by a slender wrist clasped in a hand which trembled; but he did do all these things, while the queer gentleman with the upturned moustaches (Anna had no notion who he was) stopped stonestill in his stroll and gazed after them with puzzled eyes in which a semi-recognition and a very lively curiosity seemed growing.
"Who is he, father?" Anna asked, in English, which the father much preferred to German from her lips and which she spoke with carefully exact construction, but with charming rolling of the r's and hissing of the s's. Her accent was much more pronounced than his, due, doubtless, to the fact that while he went daily to his little corner of the English world to earn their living, her seclusion was complete. She saw few English save M'riar and the landlady--whose accent never tempted her to imitation. "He seemed to know you," she went on. "He seemed to wish, almost, to speak with you, but seemed to feel not positive that you were you."
Kreutzer gave her a quick glance, then seemed to pull himself together with an effort. He assumed a carefully surprised air. "Who is he? Who is who, mine liebschen?"
"The gentleman from whom you ran away?"
"I run!" said Kreutzer, doubling his demeanor of astonishment as if in total ignorance of what she meant. "I run! Why should I run, my Anna? Why should I run from anybody?"
The daughter looked at him and sighed and then she looked at him and smiled, and said no more. So many times, in other days, had things like this occurred; so many times had she been quite unable to get