The Octopus | Page 5

him brown, merely heightened the colour of his cheeks. His yellow hair had a tendency to curl in a forward direction, just in front of the ears.
Beside him, Presley made the sharpest of contrasts. Presley seemed to have come of a mixed origin; appeared to have a nature more composite, a temperament more complex. Unlike Harran Derrick, he seemed more of a character than a type. The sun had browned his face till it was almost swarthy. His eyes were a dark brown, and his forehead was the forehead of the intellectual, wide and high, with a certain unmistakable lift about it that argued education, not only of himself, but of his people before him. The impression conveyed by his mouth and chin was that of a delicate and highly sensitive nature, the lips thin and loosely shut together, the chin small and rather receding. One guessed that Presley's refinement had been gained only by a certain loss of strength. One expected to find him nervous, introspective, to discover that his mental life was not at all the result of impressions and sensations that came to him from without, but rather of thoughts and reflections germinating from within. Though morbidly sensitive to changes in his physical surroundings, he would be slow to act upon such sensations, would not prove impulsive, not because he was sluggish, but because he was merely irresolute. It could be foreseen that morally he was of that sort who avoid evil through good taste, lack of decision, and want of opportunity. His temperament was that of the poet; when he told himself he had been thinking, he deceived himself. He had, on such occasions, been only brooding.
Some eighteen months before this time, he had been threatened with consumption, and, taking advantage of a standing invitation on the part of Magnus Derrick, had come to stay in the dry, even climate of the San Joaquin for an indefinite length of time. He was thirty years old, and had graduated and post-graduated with high honours from an Eastern college, where he had devoted himself to a passionate study of literature, and, more especially, of poetry.
It was his insatiable ambition to write verse. But up to this time, his work had been fugitive, ephemeral, a note here and there, heard, appreciated, and forgotten. He was in search of a subject; something magnificent, he did not know exactly what; some vast, tremendous theme, heroic, terrible, to be unrolled in all the thundering progression of hexameters.
But whatever he wrote, and in whatever fashion, Presley was determined that his poem should be of the West, that world's frontier of Romance, where a new race, a new people--hardy, brave, and passionate--were building an empire; where the tumultuous life ran like fire from dawn to dark, and from dark to dawn again, primitive, brutal, honest, and without fear. Something (to his idea not much) had been done to catch at that life in passing, but its poet had not yet arisen. The few sporadic attempts, thus he told himself, had only touched the keynote. He strove for the diapason, the great song that should embrace in itself a whole epoch, a complete era, the voice of an entire people, wherein all people should be included--they and their legends, their folk lore, their fightings, their loves and their lusts, their blunt, grim humour, their stoicism under stress, their adventures, their treasures found in a day and gambled in a night, their direct, crude speech, their generosity and cruelty, their heroism and bestiality, their religion and profanity, their self-sacrifice and obscenity--a true and fearless setting forth of a passing phase of history, un- compromising, sincere; each group in its proper environment; the valley, the plain, and the mountain; the ranch, the range, and the mine--all this, all the traits and types of every community from the Dakotas to the Mexicos, from Winnipeg to Guadalupe, gathered together, swept together, welded and riven together in one single, mighty song, the Song of the West. That was what he dreamed, while things without names--thoughts for which no man had yet invented words, terrible formless shapes, vague figures, colossal, monstrous, distorted-- whirled at a gallop through his imagination.
As Harran came up, Presley reached down into the pouches of the sun-bleached shooting coat he wore and drew out and handed him the packet of letters and papers.
"Here's the mail. I think I shall go on."
"But dinner is ready," said Harran; "we are just sitting down."
Presley shook his head. "No, I'm in a hurry. Perhaps I shall have something to eat at Guadalajara. I shall be gone all day."
He delayed a few moments longer, tightening a loose nut on his forward wheel, while Harran, recognising his father's handwriting on one of the envelopes, slit it open and cast his eye rapidly over