The New Machiavelli | Page 2

to everyday passions. He would sit in the shop of Donato del Corno gossiping curiously among vicious company, or pace the lonely woods of his estate, book in hand, full of bitter meditations. In the evening he returned home and went to his study. At the entrance, he says, he pulled off his peasant clothes covered with the dust and dirt of that immediate life, washed himself, put on his "noble court dress," closed the door on the world of toiling and getting, private loving, private hating and personal regrets, sat down with a sigh of contentment to those wider dreams.
I like to think of him so, with brown books before him lit by the light of candles in silver candlesticks, or heading some new chapter of "The Prince," with a grey quill in his clean fine hand.
So writing, he becomes a symbol for me, and the less none because of his animal humour, his queer indecent side, and because of such lapses into utter meanness as that which made him sound the note of the begging-letter writer even in his "Dedication," reminding His Magnificence very urgently, as if it were the gist of his matter, of the continued malignity of fortune in his affairs. These flaws complete him. They are my reason for preferring him as a symbol to Plato, of whose indelicate side we know nothing, and whose correspondence with Dionysius of Syracuse has perished; or to Confucius who travelled China in search of a Prince he might instruct, with lapses and indignities now lost in the mists of ages. They have achieved the apotheosis of individual forgetfulness, and Plato has the added glory of that acquired beauty, that bust of the Indian Bacchus which is now indissolubly mingled with his tradition. They have passed into the world of the ideal, and every humbug takes his freedoms with their names. But Machiavelli, more recent and less popular, is still all human and earthly, a fallen brother--and at the same time that nobly dressed and nobly dreaming writer at the desk.
That vision of the strengthened and perfected state is protagonist in my story. But as I re-read "The Prince" and thought out the manner of my now abandoned project, I came to perceive how that stir and whirl of human thought one calls by way of embodiment the French Revolution, has altered absolutely the approach to such a question. Machiavelli, like Plato and Pythagoras and Confucius two hundred odd decades before him, saw only one method by which a thinking man, himself not powerful, might do the work of state building, and that was by seizing the imagination of a Prince. Directly these men turned their thoughts towards realisation, their attitudes became-- what shall I call it?--secretarial. Machiavelli, it is true, had some little doubts about the particular Prince he wanted, whether it was Caesar Borgia of Giuliano or Lorenzo, but a Prince it had to be. Before I saw clearly the differences of our own time I searched my mind for the modern equivalent of a Prince. At various times I redrafted a parallel dedication to the Prince of Wales, to the Emperor William, to Mr. Evesham, to a certain newspaper proprietor who was once my schoolfellow at City Merchants', to Mr. J. D. Rockefeller--all of them men in their several ways and circumstances and possibilities, princely. Yet in every case my pen bent of its own accord towards irony because--because, although at first I did not realise it, I myself am just as free to be a prince. The appeal was unfair. The old sort of Prince, the old little principality has vanished from the world. The commonweal is one man's absolute estate and responsibility no more. In Machiavelli's time it was indeed to an extreme degree one man's affair. But the days of the Prince who planned and directed and was the source and centre of all power are ended. We are in a condition of affairs infinitely more complex, in which every prince and statesman is something of a servant and every intelligent human being something of a Prince. No magnificent pensive Lorenzos remain any more in this world for secretarial hopes.
In a sense it is wonderful how power has vanished, in a sense wonderful how it has increased. I sit here, an unarmed discredited man, at a small writing-table in a little defenceless dwelling among the vines, and no human being can stop my pen except by the deliberate self-immolation of murdering me, nor destroy its fruits except by theft and crime. No King, no council, can seize and torture me; no Church, no nation silence me. Such powers of ruthless and complete suppression have vanished. But that is not because power has diminished, but because it has increased and become multitudinous, because it