䑠The Net: A Novel
The Project Gutenberg EBook of The Net, by Rex Beach (#9 in our series by Rex Beach)
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Title: The Net
Author: Rex Beach
Release Date: August, 2004 [EBook #6379] [Yes, we are more than one year ahead of schedule] [This file was first posted on December 3, 2002]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK, THE NET ***
Beth Constantine, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team.
[Illustration: "I DO NOT KNOW WHY I HAVE SUMMONED YOU," SHE SAID]
THE NET
A NOVEL
By REX BEACH
Author of "The Spoilers," "The Barrier," "The Silver Horde," Etc.
WITH FOUR ILLUSTRATIONS BY WALTER TITTLE
CONTENTS
CHAP.
I. THE TRAIN FROM PALERMO
II. A CONFESSION AND A PROMISE
III. THE GOLDEN GIRL
IV. THE FEAST AT TERRANOVA
V. WHAT WAITED AT THE ROADSIDE
VI. A NEW RESOLVE
VII. THE SEARCH BEGINS
VIII. OLD TRAILS
IX. "ONE WHO KNOWS"
X. MYRA NELL WARREN
XI. THE KIDNAPPING
XII. LA MAFIA XIII. THE BLOOD OF HIS ANCESTORS
XIV. THE NET TIGHTENS
XV. THE END OF THE QUEST
XVI. QUARANTINE
XVII. AN OBLIGATION IS MET
XVIII. BELISARIO CARDI
XIX. FELICITE
XX. THE MAN IN THE SHADOWS
XXI. UNDER FIRE
XXII. A MISUNDERSTANDING
XXIII. THE TRIAL AND THE VERDICT
XXIV. AT THE FEET OF THE STATUE
XXV. THE APPEAL
XXVI. AT THE DUSK
ILLUSTRATIONS
"I DO NOT KNOW WHY I HAVE SUMMONED YOU,' SHE SAID Frontispiece "SILENZIO!" HE GROWLED, "I PLAY MY OWN GAME, AND I LOSE"
HE WRESTLED FOR POSSESSION OF THE GUN
"P-PLEASE DON'T KILL YOURSELF, DEAR? I COULDN'T HELP IT"
I
THE TRAIN FROM PALERMO
The train from Palermo was late. Already long, shadowy fingers were reaching down the valleys across which the railroad track meandered. Far to the left, out of an opalescent sea, rose the fairy-like Lipari Islands, and in the farthest distance Stromboli lifted its smoking cone above the horizon. On the landward side of the train, as it reeled and squealed along its tortuous course, were gray and gold Sicilian villages perched high against the hills or drowsing among fields of artichoke and sumac and prickly pear.
To one familiar with modern Sicilian railway trains the journey eastward from Palermo promises no considerable discomfort, but twenty-five years ago it was not to be lightly undertaken--not to be undertaken at all, in fact, without an unusual equipment of patience and a resignation entirely lacking in the average Anglo-Saxon. It was not surprising, therefore, that Norvin Blake, as the hours dragged along, should remark less and less upon the beauties of the island and more and more upon the medieval condition of the rickety railroad coach in which he was shaken and buffeted about. He shifted himself to an easier position upon the seat and lighted a cheroot; for although this was his first glimpse of Sicily, he had watched the same villages come and go all through a long, hot afternoon, had seen the same groves of orange and lemon and dust-green olive-trees, the same fields of Barbary figs, the same rose-grown garden spots, until he was heartily tired of them all. He felt at liberty to smoke, for the only other occupant of the compartment was a young priest in flowing mantle and silk beaver hat.
Finding that Blake spoke Italian remarkably well for a foreigner, the priest had shown an earnest desire for closer acquaintance and now plied him eagerly with questions, hanging upon his answers with a childlike intensity of gaze which at first had been amusing.
"And so the Signore has traveled all the way from Paris to attend the wedding at Terranova. Veramente! That is a great journey. Many wonderful adventures befell you, perhaps. Eh?" The priest's little eyes gleamed from his full cheeks, and he edged forward until his knees crowded Blake's. It was evident that he anticipated a thrilling tale and did not intend to be disappointed.
"It was very tiresome, that's all, and the beggars at Naples nearly tore me asunder."
"Incredible! You will tell me about it?"
"There's nothing to tell. These European trains cannot compare with ours."
Evidently discouraged at this lack of response, the questioner tried a new line of approach.
"The Signore is perhaps related to our young Conte?" he suggested. "And yet that can
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