The Necromancers | Page 3

Laurie and Maggie might come to an understanding that would prevent all possible difficulty as to the future of his house and estate; but the fourth volcanic storm had once more sent the world flying in pieces about Mrs. Baxter's delicate ears; and, during the last three months she had had to face the prospect of Laurie's bringing home as a bride the rather underbred, pretty, stammering, pink and white daughter of a Baptist grocer of the village.
This had been a terrible affair altogether; Laurie, as is the custom of a certain kind of young male, had met, spoken to, and ultimately kissed this Amy Nugent, on a certain summer evening as the stars came out; but, with a chivalry not so common in such cases, had also sincerely and simply fallen in love with her, with a romance usually reserved for better-matched affections. It seemed, from Laurie's conversation, that Amy was possessed of every grace of body, mind, and soul required in one who was to be mistress of the great house; it was not, so Laurie explained, at all a milkmaid kind of affair; he was not the man, he said, to make a fool of himself over a pretty face. No, Amy was a rare soul, a flower growing on stony soil--sandy perhaps would be the better word--and it was his deliberate intention to make her his wife.
Then had followed every argument known to mothers, for it was not likely that even Mrs. Baxter would accept without a struggle a daughter-in-law who, five years before, had bobbed to her, wearing a pinafore, and carrying in a pair of rather large hands a basket of eggs to her back door. Then she had consented to see the girl, and the interview in the garden had left her more distressed than ever. (It was there that the aitch incident had taken place.) And so the struggle had gone on; Laurie had protested, stormed, sulked, taken refuge in rhetoric and dignity alternately; and his mother had with gentle persistence objected, held her peace, argued, and resisted, conflicting step by step against the inevitable, seeking to reconcile her son by pathos and her God by petition; and then in an instant, only four days ago, it seemed that the latter had prevailed; and today Laurie, in a black suit, rent by sorrow, at this very hour at which the two ladies sat and talked in the drawing-room, was standing by an open grave in the village churchyard, seeing the last of his love, under a pile of blossoms as pink and white as her own complexion, within four elm-boards with a brass plate upon the cover.
Now, therefore, there was a new situation to face, and Mrs. Baxter was regarding it with apprehension.
* * * * *
It is true that mothers know sometimes more of their sons than their sons know of themselves, but there are certain elements of character that sometimes neither mothers nor sons appreciate. It was one or two of those elements that Maggie Deronnais, with her hands behind her head, was now considering. It seemed to her very odd that neither the boy himself nor Mrs. Baxter in the least seemed to realize the astonishing selfishness of this very boy's actions.
She had known him now for three years, though owing to her own absence in France a part of the time, and his absence in London for the rest, she had seen nothing of this last affair. At first she had liked him exceedingly; he had seemed to her ardent, natural, and generous. She had liked his affection for his mother and his demonstrativeness in showing it; she had liked his well-bred swagger, his manner with servants, his impulsive courtesy to herself. It was a real pleasure to her to see him, morning by morning, in his knickerbockers and Norfolk jacket, or his tweed suit; and evening by evening in his swallow-tail coat and white shirt, and the knee breeches and buckled shoes that he wore by reason of the touch of picturesque and defiant romanticism that was so obvious a part of his nature. Then she had begun, little by little, to perceive the egotism that was even more apparent; his self-will, his moodiness, and his persistence.
Though, naturally, she had approved of his conversion to Catholicism, yet she was not sure that his motives were pure. She had hoped indeed that the Church, with its astonishing peremptoriness, might do something towards a moral conversion, as well as an artistic and intellectual change of view. But this, it seemed, had not happened; and this final mad episode of Amy Nugent had fanned her criticism to indignation. She did not disapprove of romance--in fact she largely lived by it--but there were things even more important, and she was as