protective resemblances at their highest state of perfection the colouring is not constant but, as Professor Poulton puts it in his delightful book on "The Colours of Animals", "can be adjusted to harmonise with changes in the environment or to correspond with the differences between the environment of different individuals." The seasonal change of colour in northern animals is a well-known instance of the former, and the chameleon's alterations of hue of the latter.
Besides General Resemblance, in which the general effects of surrounding colours are reproduced, we have Special Resemblance, in which the appearance of a particular object is copied in shape and outline as well as in colour. Numerous instances will be found in this book, and a "Leaf Insect" and a "Moss Insect" are illustrated. But the classic example is the butterfly from the East Indies so graphically described by Mr. Wallace, Kallima paralekta, which always rests among dead or dry leaves and has itself leaf-like wings spotted over with specks to imitate the tiny fungi growths on the foliage it resembles. "It sits on a nearly upright twig, the wings fitting closely back to back, concealing the antennae and head, which are drawn up between their bases. The little tails of the hind wings touch the branch and form a perfect stalk to the leaf, which is supported in its place by the claws of the middle pair of feet which are slender and inconspicuous. The irregular outline of the wings gives exactly the perspective effect of a shrivelled leaf." The wonderful "stick insects" in like manner mimic the twigs of the trees among which they lurk. Nor need we go abroad in search of examples, for among our own insects are countless instances of marvellous resemblances to the inanimate or vegetable objects upon which they rest. One of the most interesting is that of the geometer caterpillars, which are very plentiful, and any one can observe them for himself even in a London garden. They support themselves for hours by means of their posterior legs, forming an angle of various degrees with the branch on which they are standing and looking for all the world like one of its twigs. The long cylindrical body is kept stiff and immovable, with the separations of the segments scarcely visible, and its colour is obscure and similar to that of the bark of the tree. Kirby and Spence tell of a gardener mistaking one of these caterpillars for a dead twig, and starting back in great alarm when, on attempting to break it off, he found it was a living animal.
Sometimes concealment is secured by the aid of adventitious objects. Many lepidopterous larvae live in cases made of the fragments of the substances upon which they feed; and certain sea-urchins cover themselves so completely with pebbles, shells, and so forth, that one can see nothing but a heap of little stones. Perhaps, however, the most interesting instance is the crab described by Mr. Bateson, which "takes a piece of weed in his two chelae and, neither snatching nor biting it, deliberately tears it across, as a man tears paper with his hands. He then puts one end of it into his mouth, and after chewing it up, presumably to soften it, takes it out in the chelae and rubs it firmly on his head or legs until it is caught by the peculiar curved hairs which cover them. If the piece of weed is not caught by the hairs, the crab puts it back in his mouth and chews it up again. The whole proceeding is most human and purposeful."
There is another class of colours in which not concealment but conspicuousness is the object aimed at. Such colours are borne by animals provided with formidable weapons of defence (the sting of the wasp, for example), or possessed of an unpleasant taste or offensive odour, and their foes come by experience to associate this form of colouring with disagreeable qualities and avoid the animals so marked. Belt was the first to account, in this way, for the conspicuous colouration of the skunk; and it is now believed that startling colours and conspicuous attitudes are intended to assist the education of enemies by enabling them to learn and remember the animals which are to be avoided. The explanation of warning colours was devised by Mr. Wallace to account for the brilliancy in the tints of certain caterpillars which birds find disagreeable, and the subject has been principally studied by experiments upon such caterpillars. But examples of warning colours are recognised, among many others, in the contrasted black and yellow of wasps, bees, and hornets, the bright red, black, and yellow bands of the deadly coral snakes, and the brilliantly coloured frog of Santo Domingo which hops unconcernedly about in the daytime
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