there could be any truth in that warning I received the other day."
"What warning?" asked Alice.
"About a rival film company trying to discover some of the secrets of our success. I must look into this."
He sprang from his chair and hurried across the big studio toward the room where the films were first shown privately, to correct any defects, mechanical or artistic. It was there that the initial performance, so to speak, was given.
Before Mr. Pertell reached the room, where the projection machine was installed, the man of whom he had spoken had entered. And, just as the manager reached the door, the same man came violently out, impelled by a vigorous push from one of the operators, who at the same time cried:
"Get out of here, you spy! What do you mean by sneaking in here, trying to get our secrets? Get out! Where's Mr. Pertell? I'll tell him about you."
CHAPTER II
WESTERN PLANS
"What is it, Walsh? What is the trouble?" exclaimed Mr. Pertell, as he hastened toward the proving room, where the films were tested before being "released."
"This man, Mr. Pertell! This fellow you hired as a comedy actor. He came in here just now, and I caught him starting to take notes of the first film of our new play."
"You did!" cried the manager sharply.
"Yes. He came in when it was dark; but the film broke, and I turned on the light. Then I caught him!"
"That's not so--you did not!"
The accused man--the spy he had been called--stood facing them all, the picture of injured innocence. Ruth, Alice and some of the other women members of the company drew aside, a little frightened at the prospect of trouble.
And trouble seemed imminent, for it was easy to see that Mr. Pertell was very angry. As for the other, his face was white with either anger or fear--perhaps the latter.
"I saw you taking notes of the action on that film!" cried James Walsh, the testing room expert.
"And I say you did not!" asserted Harry Wilson, the new player, hired a few days before as a "comic relief." The other members of the company knew very little of him, and he had attracted small attention until this episode. During a period when he was not engaged in one of the plays he had gone into the room, permission to enter which was not often granted, even to favored members of the Comet Film concern--at least until after the release of the film was decided.
"Don't let that man get way!" cried Mr. Pertell, sharply, as he saw Wilson edging toward the hallway. "Lock the doors and we'll search him!"
There was some confusion for a moment, but the doors were locked, and Pop Snooks seized the new actor.
And, while preparations are being made to search the man I will trespass on the time of my new readers sufficiently to tell them, as briefly as I can, something about the previous books of this series, and of the main characters in this one.
The initial volume was entitled "The Moving Picture Girls; Or, First Appearances in Photo Dramas." The girls were Ruth and Alice DeVere, aged respectively seventeen and fifteen years. Their mother was dead, and they lived with their father, Hosmer DeVere, in the Fenmore Apartment House, New York. Across the hall from them lived Russ Dalwood, a moving picture operator, with his widowed mother, and his brother Billy.
Mr. DeVere was a talented actor in the "legitimate," as it is called to distinguish it from vaudeville and moving pictures. But the recurrence of an old throat ailment made him suddenly so hoarse that he could not speak loud enough to be heard across the footlights. He was already rehearsing for a new play when this happened, and after several trials to make himself audible, he was finally forced to give up his engagement.
This was doubly hard, as the DeVeres were in straitened circumstances at this time, money being very scarce. They had really entered upon a period of "hard times" when Russ, a manly young fellow, whose first acquaintance with the girls had quickly ripened into friendship, made a suggestion.
"Why don't you try moving pictures?" he had said to Mr. DeVere. "You can act, all right, and you won't have to use your voice."
At first the veteran actor was much opposed to to the idea, rather looking down upon moving pictures as "common." But his daughters induced him to try it, and he came to like them very much. The pay, too, was good.
Thus Mr. DeVere became attached to the Comet Film Company. Mr. Frank Pertell, as I have said, was manager, and Russ was his chief operator, though there were several others. There were, too, a number of actors and actresses attached to the company. Besides Ruth, Alice and their father, there were Miss
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