tower of Hillslap, which I have taken measures to preserve from injury, was chiefly in his head, as the tower of _Glendearg,_ when writing the Monastery, I may mention that, on one of the occasions when I had the honour of being a visiter at Abbotsford, the stables then being full, I sent a pony to be put up at our tenant's at Hillslap:--'Well.' said Sir Walter, 'if you do that, you must trust for its not being lifted before to-morrow, to the protection of Halbert Glendinning: against Christie of the Clintshill.' At page 58, vol. iii., the first edition, the 'winding stair' which the monk ascended is described. The winding stone stair is still to be seen in Hillslap, but not in either of the other two towers" It is. however, probable, from the Goat's-Head crest on Colmslie, that that tower also had been of old a possession of the Borthwicks.] a third, the house of Langshaw, also ruinous, but near which the proprietor, Mr. Baillie of Jerviswood and Mellerstain, has built a small shooting box.
All these ruins, so strangely huddled together in a very solitary spot, have recollections and traditions of their own, but none of them bear the most distant resemblance to the descriptions in the Romance of the Monastery; and as the author could hardly have erred so grossly regarding a spot within a morning's ride of his own house, the inference is, that no resemblance was intended. Hillslap is remembered by the humours of the last inhabitants, two or three elderly ladies, of the class of Miss Raynalds, in the Old Manor House, though less important by birth and fortune. Colmslie is commemorated in song:--
Colmslie stands on Colmslie hill. The water it flows round Colmslie mill; The mill and the kiln gang bonnily. And it's up with the whippers of Colmslie.
Langshaw, although larger than the other mansions assembled at the head of the supposed Glendearg, has nothing about it more remarkable than the inscription of the present proprietor over his shooting lodge--_Utinam hane eliam viris impleam amicis_--a modest wish, which I know no one more capable of attaining upon an extended scale, than the gentleman who has expressed it upon a limited one.
Having thus shown that I could say something of these desolated towers, which the desire of social intercourse, or the facility of mutual defence, had drawn together at the head of this Glen, I need not add any farther reason to show, that there is no resemblance between them and the solitary habitation of Dame Elspeth Glendinning. Beyond these dwellings are some remains of natural wood, and a considerable portion of morass and bog; but I would not advise any who may be curious in localities, to spend time in looking for the fountain and holly-tree of the White Lady.
While I am on the subject I may add, that Captain Clutterbuck, the imaginary editor of the Monastery, has no real prototype in the village of Melrose or neighbourhood, that ever I saw or heard of. To give some individuality to this personage, he is described as a character which sometimes occurs in actual society--a person who, having spent his life within the necessary duties of a technical profession, from which he has been at length emancipated, finds himself without any occupation whatever, and is apt to become the prey of ennui, until he discerns some petty subject of investigation commensurate to his talents, the study of which gives him employment in solitude; while the conscious possession of information peculiar to himself, adds to his consequence in society. I have often observed, that the lighter and trivial branches of antiquarian study are singularly useful in relieving vacuity of such a kind, and have known them serve many a Captain Clutterbuck to retreat upon; I was therefore a good deal surprised, when I found the antiquarian Captain identified with a neighbour and friend of my own, who could never have been confounded with him by any one who had read the book, and seen the party alluded to. This erroneous identification occurs in a work entitled, "Illustrations of the Author of Waverley, being Notices and Anecdotes of real Characters, Scenes, and Incidents, supposed to be described in his works, by Robert Chambers." This work was, of course, liable to many errors, as any one of the kind must be, whatever may be the ingenuity of the author, which takes the task of explaining what can be only known to another person. Mistakes of place or inanimate things referred to, are of very little moment; but the ingenious author ought to have been more cautious of attaching real names to fictitious characters. I think it is in the Spectator we read of a rustic wag, who, in a copy of "The Whole Duty of Man," wrote
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