The Mirror of Literature, Amusement, and Instruction, Vol. 10, Issue 281 | Page 9

wine-shops at Paris, carters in blue smock-frocks playing at ecart�� and dominoes over a bottle of vin ordinaire at eleven o'clock in the morning, particularly in the neighbourhood of the markets. In England such amusements would be illegal, and the victualler who allowed them in his house would probably be deprived of his license.
In France every man plays at billiards--nay, every village has its billiard tables, one of which is almost as frequent an article of furniture in private houses, as piano-fortes are in England; and the sign of two maces crossed, and the inscriptions "Caf�� et Billards" are as common over the wine-houses in the provinces, as chequers formerly were in our own country towns. I remember meeting with a curious adventure during my last residence in Paris. One morning, while leisurely walking in Rue Montmartre, I was accosted in French, by a respectably dressed man, apparently about fifty, who inquired of me the situation of ---- street, (for at this moment I do not recollect the name). I replied that, being a foreigner, I could not afford him the required information, at the same time referring him to the next shop. He did not follow my suggestion, but almost at the very instant my eye caught the name of the street for which he had just inquired. The stranger then told me that being on a visit to the capital, he was anxious to see the interior of the palace of the Tuilleries, and was proceeding to a friend resident in the above street, who had promised to procure him admission to the royal residence, notwithstanding the king was then in Paris. I congratulated him on his success, having been, a few days previous, disappointed in the same object, when he offered also to procure admission for myself and one or two of my friends. We accordingly entered a second rate _caf��_, when, I made up to the _gar?on_ and demanded of him whether orders for viewing the Tuilleries were to be obtained there: he made no reply, but my friend of the street, who had by this time partly ascended a staircase at the extremity of the room, beckoned, and anxiously besought me to accompany him. I did so, notwithstanding I was aware that Paris, as well as London, had its "frauds." We entered a large room, the first impression of which, on some minds, would have been that of terror. In the centre stood a handsome billiard-table, over which were two dirty lamps with reflectors; the walls were papered in tawdry French taste, the ceiling black with smoke, and the whole room but indifferently lighted with a disproportionate and dusty window: the door, too, seemed planned for security, having a large lock and two bolts inside, but exhibited marks of recent repair from violent fracture. In short, there was a lurking suspicion about the place, which was not lessened by my companion meeting with a partner. From their conversation I learned they were both foreigners, and were waiting for a friend to bring the orders to view the palace, so that all the story was as yet in keeping, and I was introduced as a suitor for the same favour. My fellows "in waiting" showed much impatience, complained of cold, and politely asked me to take a glass of liqueur with them, at the same time taking up the mace and beginning to amuse themselves at the billiard-table. I looked on; they asked me to join them; I declined, and professed ignorance of the game; but their importunities became more pressing, and at last troublesome. Not a word further was said of the palace admission. I now judged it time to take my leave, and advancing towards the door for that purpose, I perceived my companions moved also: I profited by the hint, and seizing the handle of the door, thanked them for their civility, assured them I could wait no longer, but would call in half-an-hour--leaped down the stairs, and did not stop till I reached Rue Montmartre. I afterwards learned this was a common street trick in Paris to decoy strangers to the billiard-table, and had I taken the mace in hand, it would most probably have been at the expense of a good dinner for my companions, as a smart for my credulity.
A few evenings subsequent to this common-place incident, I strolled into a house of play in the palais royal, the situation having been previously pointed out to me by a friend.[1] The entrance was through a narrow passage by a silversmith's shop, on the ground floor, at the end of which a strong light shone through the figures denoting the number of the house, largely cut in tin; alas! thought I, a fatal number to many thousands. On the principal landing,