The Mind of the Artist | Page 2

and Mr. Tancred Borenius. I have also to thank Lady Burne-Jones, Miss Birnie Philip, Mrs. Watts, Mrs. C. W. Furse, Mr. W. M. Rossetti, Mr. J. G. Millais, Mr. Samuel Calvert, and Mr. Sydney Cockerell, for permission to make quotations from Burne-Jones, Whistler, Watts, Furse, D. G. Rossetti, Madox Brown, Millais, Edward Calvert, and William Morris; also Sir Martin Conway, Sir Charles Holroyd, Mrs. Herringham, Mr. E. McCurdy, and Mr. Everard Meynell, for allowing me to use their translations from Duerer, Francisco d'Ollanda (conversations with Michael Angelo), Cennino Cennini, Leonardo, and Corot, respectively.
Thankful acknowledgment is also made to the authors of any other quotations whose names may inadvertently have been omitted.
Above all, I thank my husband for his advice and help.
C. M. B.

ILLUSTRATIONS
THE POLISH RIDER. Rembrandt Frontispiece Tarnowski Collection, Dzikow
FACING PAGE
THE CASTLE IN THE PARK. Rubens. (Detail) 28 Vienna
LOVE. Millais 48 The Victoria and Albert Museum
THE MUSIC OF PAN. Signorelli 74 Berlin
PORTRAIT OF THE ARTIST'S WIFE. J. Van Eyck 96 Bruges
HOPE. Puvis de Chavannes 102 By permission of Messrs. Durand-Revel
THE MASS OF BOLSENA. Raphael. (Detail) 118 The Vatican
THE CHILDREN AND THE BUTTERFLY. Gainsborough 134 National Gallery

THE MIND OF THE ARTIST
I
An able painter by his power of penetration into the mysteries of his art is usually an able critic.
Alfred Stevens.[1]
[Footnote 1: The Belgian painter, not the English sculptor.]
II
Art, like love, excludes all competition, and absorbs the man.
Fuseli.
III
A good painter has two chief objects to paint, namely, man, and the intention of his soul. The first is easy, the second difficult, because he has to represent it through the attitudes and movements of the limbs. This should be learnt from the dumb, who do it better than any other sort of person.
Leonardo da Vinci.
IV
In my judgment that is the excellent and divine painting which is most like and best imitates any work of immortal God, whether a human figure, or a wild and strange animal, or a simple and easy fish, or a bird of the air, or any other creature. And this neither with gold nor silver nor with very fine tints, but drawn only with a pen or a pencil, or with a brush in black and white. To imitate perfectly each of these things in its species seems to me to be nothing else but to desire to imitate the work of immortal God. And yet that thing will be the most noble and perfect in the works of painting which in itself reproduced the thing which is most noble and of the greatest delicacy and knowledge.
Michael Angelo.
V
The art of painting is employed in the service of the Church, and by it the sufferings of Christ and many other profitable examples are set forth. It preserveth also the likeness of men after their death. By aid of delineations the measurements of the earth, the waters, and the stars are better to be understood; and many things likewise become known unto men by them. The attainment of true, artistic, and lovely execution in painting is hard to come unto; it needeth long time and a hand practised to almost perfect freedom. Whosoever, therefore, falleth short of this cannot attain a right understanding (in matters of painting) for it cometh alone by inspiration from above. The art of painting cannot be truly judged save by such as are themselves good painters; from others verily is it hidden even as a strange tongue. It were a noble occupation for ingenious youths without employment to exercise themselves in this art.
Duerer.

AIMS AND IDEALS
VI
Give thou to God no more than he asketh of thee; but to man also, that which is man's. In all that thou doest, work from thine own heart, simply; for his heart is as thine, when thine is wise and humble; and he shall have understanding of thee. One drop of rain is as another, and the sun's prism in all: and shalt not thou be as he, whose lives are the breath of One? Only by making thyself his equal can he learn to hold communion with thee, and at last own thee above him. Not till thou lean over the water shalt thou see thine image therein: stand erect, and it shall slope from thy feet and be lost. Know that there is but this means whereby thou mayst serve God with man.... Set thine hand and thy soul to serve man with God....
Chiaro, servant of God, take now thine Art unto thee, and paint me thus, as I am, to know me; weak, as I am, and in the weeds of this time; only with eyes which seek out labour, and with a faith, not learned, yet jealous of prayer. Do this; so shall thy soul stand before thee always, and perplex thee no more.
Rossetti.
VII
I know that this world is a world of imagination and vision. I see