glance lighted upon the stranger, who had come a few minutes earlier by the Applegate road. As he was a fine looking man of full habit and some thirty years, her eyes lingered an instant on his face before she turned with the news to her slatternly negro maid who was sousing the floor with a bucket of soapsuds.
"Thar's nobody on earth out thar but young Mr. Jonathan Gay come back to Jordan's Journey," she said. "I declar I'd know a Gay by his eyes if I war to meet him in so unlikely a place as Kingdom Come. He's talkin' to old Adam Doolittle now," she added, for the information of the maid, who, being of a curious habit of mind, had raised herself on her knees and was craning her neck toward the door, "I can see his lips movin', but he speaks so low I can't make out what he says."
"Lemme git dar a minute, Miss Betsey, I'se got moughty sharp years, I is."
"They're no sharper than mine, I reckon, and I couldn't hear if I stood an' listened forever. It's about the road most likely, for I see old Adam a-pintin'."
For a minute after dismounting the stranger looked dubiously at the mottled face of the tavern. On his head the sunlight shone through the boughs of a giant mulberry tree near the well, and beyond this the Virginian forest, brilliant with its autumnal colours of red and copper, stretched to the village of Applegate, some ten or twelve miles to the north.
Starting southward from the cross-roads, the character of the country underwent so sudden a transformation that it looked as if man, having contended here unsuccessfully with nature, had signed an ignominious truce beneath the crumbling gateposts of the turnpike. Passing beyond them a few steps out of the forest, one found a low hill, on which the reaped corn stood in stacks like weapons of a vanished army, while across the sunken road, the abandoned fields, overgrown with broomsedge and life-everlasting, spread for several miles between "worm fences" which were half buried in brushwood. To the eyes of the stranger, fresh from the trim landscapes of England, there was an aspect of desolation in the neglected roads, in the deserted fields, and in the dim grey marshes that showed beyond the low banks of the river.
In the effort to shake off the depression this loneliness had brought on his spirits, he turned to an ancient countryman, wearing overalls of blue jeans, who dozed comfortably on the circular bench beneath the mulberry tree.
"Is there a nearer way to Jordan's Journey, or must I follow the turnpike?" he asked.
"Hey? Young Adam, are you thar, suh?"
Young Adam, a dejected looking youth of fifty years, with a pair of short-sighted eyes that glanced over his shoulder as if in fear of pursuit, shuffled round the trough of the well, and sat down on the bench at his parent's side.
"He wants to know, pa, if thar's a short cut from the ornary over to Jordan's Journey," he repeated.
Old Adam, who had sucked patiently at the stem of his pipe during the explanation, withdrew it at the end, and thrust out his lower lip as a child does that has stopped crying before it intended to.
"You can take a turn to the right at the blazed pine a half a mile on," he replied, "but thar's the bars to be pulled down an' put up agin."
"I jest come along thar, an' the bars was down," said young Adam.
"Well, they hadn't ought to have been," retorted old Adam, indignantly. "Bars is bars whether they be public or private, an' the man that pulls 'em down without puttin' 'em up agin, is a man that you'll find to be loose moraled in other matters."
"It's the truth as sure as you speak it, Mr. Doolittle," said a wiry, knocked-kneed farmer, with a hatchet-shaped face, who had sidled up to the group. "It warn't no longer than yesterday that I was sayin' the same words to the new minister, or rector as he tries to get us to call him, about false doctrine an' evil practice. 'The difference between sprinklin' and immersion ain't jest the difference between a few drips on the head an' goin' all under, Mr. Mullen,' I said, 'but 'tis the whole difference between the natur that's bent moral an' the natur that ain't.' It follows as clear an' logical as night follows day--now, I ax you, don't it, Mr. Doolittle--that a man that's gone wrong on immersion can't be trusted to keep his hands off the women?"
"I ain't sayin' all that, Solomon Hatch," responded old Adam, in a charitable tone, "seein' that I've never made up my own mind quite clear on those two p'ints--but I do say, be he immersed
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