mind.' The journey to the East--which was to give us in literary results NOTES OF A JOURNEY FROM CORNHILL TO GRAND CAIRO--was begun with BARRY LYNDON yet unfinished, for at Malta the author noted on the first three days of November--'Wrote Barry but slowly and with great difficulty.' 'Wrote Barry with no more success than yesterday.' 'Finished Barry after great throes late at night.' In the number of Fraser's for the following month, as I have said, the conclusion appeared. A dozen years later, in 1856, the story formed the first part of the third volume of Thackeray's MISCELLANIES, when it was called MEMOIRS OF BARRY LYNDON, ESQ., WRITTEN BY HIMSELF. Since then, it has nearly always been issued with other matter, as though it were not strong enough to stand alone, or as though the importance of a work was mainly to be gauged by the number of pages to be crowded into one cover. The scheme of the present edition fortunately allows fitting honour to be done to the memoirs of the great adventurer.
To come from the story as a whole to the personality of the eponymous hero. Three widely-differing historical individuals are suggested as having contributed to the composite portrait. Best known of these was that very prince among adventurers, G. J. Casanova de Seingalt, a man who in the latter half of the eighteenth century played the part of adventurer--and generally that of the successful adventurer--in most of the European capitals; who within the first five-and-twenty years of his life had been 'abbe, secretary to Cardinal Aquaviva, ensign, and violinist, at Rome, Constantinople, Corfu, and his own birthplace (Venice), where he cured a senator of apoplexy.' His autobiography, MEMOIRES ECRIT PAR LUI MEME (in twelve volumes), has been described as 'unmatched as a self-revelation of scoundrelism.' It has also been suggested, with I think far less colour of probability, that the original of Barry was the diplomatist and satiric poet Sir Charles Hanbury Williams, whom Dr Johnson described as 'our lively and elegant though too licentious lyrick bard.' The third original, and one who, there cannot be the slightest doubt, contributed features to the great portrait, is a certain Andrew Robinson Stoney, afterwards Stoney- Bowes.
The original of the Countess Lyndon was Mary Eleanor Bowes, Dowager Countess of Strathmore, and heiress of a very wealthy Durham family. This lady had many suitors, but in 1777 Stoney, a bankrupt lieutenant on half pay, who had fought a duel on her behalf, induced her to marry him, and subsequently hyphenated her name with his own. He became member of Parliament, and ran such extravagant courses as does Barry Lyndon, treated his wife with similar barbarity, abducted her when she had escaped from him, and then, after being divorced, found his way to a debtors' prison. There are similarities here which no seeker after originals can overlook. Mrs Ritchie says that her father had a friend at Paris, 'a Mr Bowes, who may have first told him this history of which the details are almost incredible, as quoted from the papers of the time.' The name of Thackeray's friend is a curious coincidence, unless, as may well have been the case, he was a connection of the family into which the notorious adventurer had married. It is not unlikely that Thackeray had seen the work published in 1810--the year of Stoney-Bowes's death--in which the whole unhappy romance was set forth. This was 'THE LIVES OF ANDREW ROBINSON BOWES ESQ., and THE COUNTESS OF STRATHMORE. Written from thirty-three years' Professional Attendance, from letters and other well authenticated Documents by Jesse Foot, Surgeon.' In this book we find several incidents similar to ones in the story. Bowes cut down all the timber on his wife's estate, but 'the neighbours would not buy it.' Such practical jokes as Barry Lyndon played upon his son's tutor were played by Bowes on his chaplain. The story of Stoney and his marriage will be found briefly given in the notice of the Countess's life in the DICTIONARY OF NATIONAL BIOGRAPHY.
Whence that part of the romantic interlude dealing with the stay in the Duchy of X----, dealt with in chapter x., etc., was inspired, Thackeray's own note\books (as quoted by Mrs Ritchie) conclusively show: 'January 4,1844. Read in a silly book called L'EMPIRE, a good story about the first K. of Wurtemberg's wife; killed by her husband for adultery. Frederic William, born in 1734 (?), m. in 1780 the Princess Caroline of Brunswick Wolfenbuttel, who died the 27th September 1788. For the rest of the story see L'EMPIRE, OU DIX ANS SOUS NAPOLEON, PAR UN CHAMBELLAN: Paris, Allardin, 1836; vol. i. 220.' The 'Captain Freny' to whom Barry owed his adventures on his journey to Dublin (chapter iii.) was a notorious highwayman, on whose doings Thackeray had
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