The Marriage Contract | Page 9

conversation to the Bordeaux cliques; the curiosity of the women was all the more lively because the widow gave signs of the temperament which makes a Spanish woman and a Creole particularly noted. She had black eyes and hair, the feet and form of a Spanish woman,--that swaying form the movements of which have a name in Spain. Her face, still beautiful, was particularly seductive for its Creole complexion, the vividness of which can be described only by comparing it to muslin overlying crimson, so equally is the whiteness suffused with color. Her figure, which was full and rounded, attracted the eye by a grace which united nonchalance with vivacity, strength with ease. She attracted and she imposed, she seduced, but promised nothing. She was tall, which gave her at times the air and carriage of a queen. Men were taken by her conversation like birds in a snare; for she had by nature that genius which necessity bestows on schemes; she advanced from concession to concession, strengthening herself with what she gained to ask for more, knowing well how to retreat with rapid steps when concessions were demanded in return. Though ignorant of facts, she had known the courts of Spain and Naples, the celebrated men of the two Americas, many illustrious families of England and the continent, all of which gave her so extensive an education superficially that it seemed immense. She received her society with the grace and dignity which are never learned, but which come to certain naturally fine spirits like a second nature; assimilating choice things wherever they are met. If her reputation for virtue was unexplained, it gave at any rate much authority to her actions, her conversation, and her character.
Mother and daughter had a true friendship for each other, beyond the filial and maternal sentiment. They suited one another, and their perpetual contact had never produced the slightest jar. Consequently many persons explained Madame Evangelista's actions by maternal love. But although Natalie consoled her mother's persistent widowhood, she may not have been the only motive for it. Madame Evangelista had been, it was said, in love with a man who recovered his titles and property under the Restoration. This man, desirous of marrying her in 1814 had discreetly severed the connection in 1816. Madame Evangelista, to all appearance the best-hearted woman in the world, had, in the depths of her nature, a fearful quality, explainable only by Catherine de Medici's device: "Odiate e aspettate"--"Hate and wait." Accustomed to rule, having always been obeyed, she was like other royalties, amiable, gentle, easy and pleasant in ordinary life, but terrible, implacable, if the pride of the woman, the Spaniard, and the Casa-Reale was touched. She never forgave. This woman believed in the power of her hatred; she made an evil fate of it and bade it hover above her enemy. This fatal power she employed against the man who had jilted her. Events which seemed to prove the influence of her "jettatura"--the casting of an evil eye--confirmed her superstitious faith in herself. Though a minister and peer of France, this man began to ruin himself, and soon came to total ruin. His property, his personal and public honor were doomed to perish. At this crisis Madame Evangelista in her brilliant equipage passed her faithless lover walking on foot in the Champes Elysees, and crushed him with a look which flamed with triumph. This misadventure, which occupied her mind for two years, was the original cause of her not remarrying. Later, her pride had drawn comparisons between the suitors who presented themselves and the husband who had loved her so sincerely and so well.
She had thus reached, through mistaken calculations and disappointed hopes, that period of life when women have no other part to take in life than that of mother; a part which involves the sacrifice of themselves to their children, the placing of their interests outside of self upon another household,--the last refuge of human affections.
Madame Evangelista divined Paul's nature intuitively, and hid her own from his perception. Paul was the very man she desired for a son-in-law, for the responsible editor of her future power. He belonged, through his mother, to the family of Maulincour, and the old Baronne de Maulincour, the friend of the Vidame de Pamiers, was then living in the centre of the faubourg Saint-Germain. The grandson of the baroness, Auguste de Maulincour, held a fine position in the army. Paul would therefore be an excellent introducer for the Evangelistas into Parisian society. The widow had known something of the Paris of the Empire, she now desired to shine in the Paris of the Restoration. There alone were the elements of political fortune, the only business in which women of the world could decently co-operate. Madame Evangelista, compelled by her