for them, which glittered and rang upon the counter. The young man, seemingly occupied with the prints in the window, fixed upon the fair stranger a gaze as eager as man can give, to receive in exchange an indifferent glance, such as lights by accident on a passer-by. For him it was a leave-taking of love and of woman; but his final and strenuous questioning glance was neither understood nor felt by the slight-natured woman there; her color did not rise, her eyes did not droop. What was it to her? one more piece of adulation, yet another sigh only prompted the delightful thought at night, "I looked rather well to-day."
The young man quickly turned to another picture, and only left it when she returned to her carriage. The horses started off, the final vision of luxury and refinement went under an eclipse, just as that life of his would soon do also. Slowly and sadly he followed the line of the shops, listlessly examining the specimens on view. When the shops came to an end, he reviewed the Louvre, the Institute, the towers of Notre Dame, of the Palais, the Pont des Arts; all these public monuments seemed to have taken their tone from the heavy gray sky.
Fitful gleams of light gave a foreboding look to Paris; like a pretty woman, the city has mysterious fits of ugliness or beauty. So the outer world seemed to be in a plot to steep this man about to die in a painful trance. A prey to the maleficent power which acts relaxingly upon us by the fluid circulating through our nerves, his whole frame seemed gradually to experience a dissolving process. He felt the anguish of these throes passing through him in waves, and the houses and the crowd seemed to surge to and fro in a mist before his eyes. He tried to escape the agitation wrought in his mind by the revulsions of his physical nature, and went toward the shop of a dealer in antiquities, thinking to give a treat to his senses, and to spend the interval till nightfall in bargaining over curiosities.
He sought, one might say, to regain courage and to find a stimulant, like a criminal who doubts his power to reach the scaffold. The consciousness of approaching death gave him, for the time being, the intrepidity of a duchess with a couple of lovers, so that he entered the place with an abstracted look, while his lips displayed a set smile like a drunkard's. Had not life, or rather had not death, intoxicated him? Dizziness soon overcame him again. Things appeared to him in strange colors, or as making slight movements; his irregular pulse was no doubt the cause; the blood that sometimes rushed like a burning torrent through his veins, and sometimes lay torpid and stagnant as tepid water. He merely asked leave to see if the shop contained any curiosities which he required.
A plump-faced young shopman with red hair, in an otter-skin cap, left an old peasant woman in charge of the shop--a sort of feminine Caliban, employed in cleaning a stove made marvelous by Bernard Palissy's work. This youth remarked carelessly:
"Look round, monsieur! We have nothing very remarkable here downstairs; but if I may trouble you to go up to the first floor, I will show you some very fine mummies from Cairo, some inlaid pottery, and some carved ebony--genuine Renaissance work, just come in, and of perfect beauty."
In the stranger's fearful position this cicerone's prattle and shopman's empty talk seemed like the petty vexations by which narrow minds destroy a man of genius. But as he must even go through with it, he appeared to listen to his guide, answering him by gestures or monosyllables; but imperceptibly he arrogated the privilege of saying nothing, and gave himself up without hindrance to his closing meditations, which were appalling. He had a poet's temperament, his mind had entered by chance on a vast field; and he must see perforce the dry bones of twenty future worlds.
At a first glance the place presented a confused picture in which every achievement, human and divine, was mingled. Crocodiles, monkeys, and serpents stuffed with straw grinned at glass from church windows, seemed to wish to bite sculptured heads, to chase lacquered work, or to scramble up chandeliers. A Sevres vase, bearing Napoleon's portrait by Mme. Jacotot, stood beside a sphinx dedicated to Sesostris. The beginnings of the world and the events of yesterday were mingled with grotesque cheerfulness. A kitchen jack leaned against a pyx, a republican sabre on a mediaeval hackbut. Mme. du Barry, with a star above her head, naked, and surrounded by a cloud, seemed to look longingly out of Latour's pastel at an Indian chibook, while she tried to guess the purpose
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