The Lucasta Poems | Page 9

publication. A copy of LUCASTA, 1649, occasionally appears in catalogues, purporting to have belonged to Anne, Lady Lovelace; but the autograph which it contains was taken from a copy of Massinger's BONDMAN (edit. 1638, 4to.), which her Ladyship once owned. This copy of Lovelace's LUCASTA is bound up with the copy of the POSTHUME POEMS, once in the possession of Benjamin Rudyerd, Esq., grandson and heir of the distinguished Sir Benjamin Rudyerd, as appears also from his autograph?on the title.<1.1>
In the original edition of the two parts of LUCASTA, 1649-59, the arrangement of the poems appears, like that of the text, to have been left to chance, and the result has been a total absence of method. I have therefore felt it part of my duty to systematise the contents of the volume, and, so far as it lay in my power, to place the various pieces of which it consisted in their proper order; all the odes, sonnets, &c. addressed or referring to the lady who is concealed under the names of LUCASTA and AMARANTHA have now been, for the first time, brought together; and the copies of commendatory and gratulatory verses, with one exception prefixed by Lovelace to various publications by friends during his lifetime, either prior to the appearance of the first part of his own poems in 1649, or between that date and the issue of his Remains ten years later, have been placed by themselves, as an act of justice to the writer, of whose style and genius they are, as is generally the case with all compositions of the kind, by no means favourable specimens. The translations from Catullus, Ausonius, &c. have been left as they stood; they are, for the most part, destitute of merit; but as they were inserted by the Poet's brother, when he edited the posthumous volume, I did not think it right to disturb them, and they have been retained in their full integrity.
Lovelace's LUCASTA was included by the late S. W. Singer, Esq., in his series of "Early English Poets;" but that gentleman, besides striking out certain passages, which he, somewhat?unaccountably and inconsistently, regarded as indelicate,?omitted a good deal of preliminary matter in the form of?commendatory verses which, though possibly of small worth,?were necessary to render the book complete; it is possible, that Mr. Singer made use of a copy of LUCASTA which was deficient at the commencement. It may not be generally known that,?independently of its imperfections in other respects,?Mr. Singer's reprint abounds with the grossest blunders.
The old orthography has been preserved intact in this edition; but with respect to the employment of capitals, the entirely arbitrary manner in which they are introduced into the book as originally published, has made it necessary to reduce them, as well as the singularly capricious punctuation, to modern rules. At the same time, in those cases where capitals seemed more characteristic or appropriate, they have been retained.
It is a singular circumstance, that Mr. Singer (in common with Wood, Bliss, Ellis, Headley, and all other biographers,) overlooked the misprint of ARAMANTHA for AMARANTHA, which the old compositor made, with one or two exceptions, wherever the word occurred. In giving a correct representation of the original title-page, I have been obliged to print ARAMANTHA.
In the hope of discovering the exact date of Lovelace's birth and baptism, I communicated with the Rev. A. J. Pearman, incumbent of Bethersden, near Ashford, and that gentleman obligingly examined the registers for me, but no traces of Lovelace's name are to be found.
W. C. H.?Kensington, August 12, 1863.
<1.1> Mr. B. R. was a somewhat diligent collector of books, both English and foreign. On the fly-leaves of his copy?of Rosse's MYSTAGOGUS POETICUS, 1648, 8vo., he has written?the names of a variety of works, of which he was at the time seemingly in recent possession.
BIOGRAPHICAL NOTICE.
With the exception of Sir Egerton Brydges, who contributed to the GENTLEMAN'S MAGAZINE for 1791-2 a series of articles on the life and writings of the subject of the present memoir, all the?biographers of Richard Lovelace have contented themselves with following the account left by Anthony Wood of his short and unhappy career. I do not think that I can do better than commence, at least, by giving word for word the narrative of Wood in his own language, to which I purpose to add such additional particulars in the form of notes or otherwise, as I may be able to supply. But the reader must not expect much that is new: for I regret to say that, after the most careful researches, I have not improved, to any large extent, the state of knowledge respecting this elegant poet and unfortunate man.
"Richard Lovelace," writes Wood, "the eldest son of Sir William Lovelace<2.1> of Woollidge in Kent, knight, was born in that country [in 1618],