to study and research, have been sacrificed to the petting and nursing of a perfectly well woman, who demanded it of him. His home life, where he had dreamed of a congenial atmosphere, where the centripetal force should be the love of wife and children, merged into frequent journeys for Flossy--who would have been happy if she never had been obliged to stay in one place over a week--and a shifting of their one child Rachel into the care of nurses, because Flossy fretted at the care of her and demanded all of Bronson's time for herself.
Thus was Bronson's life being twisted and bent from its natural course. Was it a weakness in him? To be sure he might have shown his strength by breaking loose from family ties, and, hardening his heart to his wife's plaints, have carried out his ambitions with some degree of success. He did attempt this, nor did he fail in his career. He was called a fairly successful man. I dare say the majority of people never knew that he was created for grander things. But something was sapping his energy at the fountain-head. Was he realizing that he had helped to shatter his ideals with his own hand?
I never am so well satisfied with my lot of single-blessedness as when I contemplate the sort of wife Flossy makes. That may sound arrogant, but this is a secret session of human nature, when arrogance and all native-born sins are permissible.
Flossy is perfectly unconscious of the spectacle she presents to the world. Ah, me! I know it is said, "Judge not, that ye be not judged." I might have made him just such a wife, I suppose. O heavens! no, I shouldn't. Tabby, that is making humility go a little too far.
IV
WOMEN AS LOVERS
"In every clime and country There lives a Man of Pain, Whose nerves, like chords of lightning, Bring fire into his brain: To him a whisper is a wound, A look or sneer, a blow; More pangs he feels in years or months Than dunce-throng'd ages know."
I have had such a curious experience. I have been confided in, twice in one day. Two more bits out of other lives have been given to me, and it is astonishing to see how well they piece into mine.
To begin with, Rachel English came in early. There is something particularly auspicious about Rachel. She fits me like a glove. She never jars nor grates. When she is here, I am comfortable; when she is gone, I miss something. If I see a fine painting, or hear magnificent music, I think of Rachel before any other thought comes into my mind. One involuntarily associates her with anything wonderfully fine in art or literature, with the perfect assurance that she will be sympathetic and appreciative. She understands the deep, inarticulate emotions in the kindred way you have a right to expect of your lover, and which you are oftenest disappointed in, if you do expect it of him. If I were a man, I should be in love with Rachel.
Her sensitiveness through every available channel makes her of no use to general society. Blundering people tread on her; malicious ones tear her to pieces. Rachel ought to be caged, and only approached by clever people who have brains enough to appreciate her. I should like to be her keeper. But her organization is too closely allied to that of genius to be happy, unless with certain environments which it is too good to believe will ever surround her. She is so clever that she is perfectly helpless. If you knew her, this would not be a paradox. Possibly it isn't anyway.
I do not say that Rachel is perfect. She would be desperately uncomfortable as a friend if she were. Her failings are those belonging to a frank, impulsive, generous nature, which I myself find it easy to forgive. Her gravest fault is a witty tongue. That which many people would give years of their lives to possess is what she has shed the most tears over and which she most liberally detests in herself. She calls it her private demon, and says she knows that one of the devils, in the woman who was possessed of seven, was the devil of wit.
Wit is a weapon of defence, and was no more intended to be an attribute of woman than is a knowledge of fire-arms or a fondness for mice. A witty woman is an anomaly, fit only for literary circles and to be admired at a distance.
It is of no use to advise Rachel to curb her tongue. So tender-hearted that the sight of an animal in pain makes her faint; so humble-minded that she cannot bear to receive an apology, but, no matter what has been
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