The Long Roll | Page 8

Mary Johnston
ain't the main subject of quarrel--not by a long shot it ain't! The quarrel's that a man wants to take all the grist, mine as well as his, and grind it in his mill! Well, I won't let him--that's all. And here's your road to Thunder Run."
Allan strode on alone over the frozen hills. Before him sprang the rampart of the mountains, magnificently drawn against the eastern sky. To either hand lay the fallow fields, rolled the brown hills, rose the shadowy bulk of forest trees, showed the green of winter wheat. The evening was cold, but without wind and soundless. The birds had flown south, the cattle were stalled, the sheep folded. There was only the earth, field and hill and mountain, the up and down of a narrow road, and the glimmer of a distant stream. The sunset had been red, and it left a colour that flared to the zenith.
The young man, tall, blond, with grey-blue eyes and short, fair beard, covered with long strides the frozen road. It led him over a lofty hill whose summit commanded a wide prospect. Allan, reaching this height, hesitated a moment, then crossed to a grey zigzag of rail fence, and, leaning his arms upon it, looked forth over hill and vale, forest and stream. The afterglow was upon the land. He looked at the mountains, the great mountains, long and clean of line as the marching rollers of a giant sea, not split or jagged, but even, unbroken, and old, old, the oldest almost in the world. Now the ancient forest clothed them, while they were given, by some constant trick of the light, the distant, dreamy blue from which they took their name. The Blue Ridge--the Blue Ridge--and then the hills and the valleys, and all the rushing creeks, and the grandeur of the trees, and to the east, steel clear between the sycamores and the willows, the river--the upper reaches of the river James.
The glow deepened. From a farmhouse in the valley came the sound of a bell. Allan straightened himself, lifting his arms from the grey old rails. He spoke aloud.
Breathes there the man with soul so dead,--
The bell rang again, the rose suffused the sky to the zenith. The young man drew a long breath, and, turning, began to descend the hill.
Before him, at a turn of the road and overhanging a precipitous hollow, in the spring carpeted with bloodroot, but now thick with dead leaves, lay a giant oak, long ago struck down by lightning. The branches had been cut away, but the blackened trunk remained, and from it as vantage point one received another great view of the rolling mountains and the valleys between. Allan Gold, coming down the hill, became aware, first of a horse fastened to a wayside sapling, then of a man seated upon the fallen oak, his back to the road, his face to the darkening prospect. Below him the winter wind made a rustling in the dead leaves. Evidently another had paused to admire the view, or to collect and mould between the hands of the soul the crowding impressions of a decisive day. It was, apparently, the latter purpose; for as Allan approached the ravine there came to him out of the dusk, in a controlled but vibrant voice, the following statement, repeated three times: "We are going to have war.--We are going to have war.--We are going to have war."
Allan sent his own voice before him. "I trust in God that's not true!--It's Richard Cleave, there, isn't it?"
The figure on the oak, swinging itself around, sat outlined against the violet sky. "Yes, Richard Cleave. It's a night to make one think, Allan--to make one think--to make one think!" Laying his hand on the trunk beside him, he sprang lightly down to the roadside, where he proceeded to brush dead leaf and bark from his clothing with an old gauntlet. When he spoke it was still in the same moved, vibrating voice. "War's my metier. That's a curious thing to be said by a country lawyer in peaceful old Virginia in this year of grace! But like many another curious thing, it's true! I was never on a field of battle, but I know all about a field of battle."
He shook his head, lifted his hand, and flung it out toward the mountains. "I don't want war, mind you, Allan! That is, the great stream at the bottom doesn't want it. War is a word that means agony to many and a set-back to all. Reason tells me that, and my heart wishes the world neither agony nor set-back, and I give my word for peace. Only--only--before this life I must have fought all along the line!"
His eyes lightened. Against the paling sky, in the wintry air,
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