The Life of the Spider | Page 3

Jean Henri Fabre
alter or modify the etext or this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or

hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (_) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*

This etext was prepared by David Price, email [email protected]
from the 1912 Hodder and Stoughton edition.

THE LIFE OF THE SPIDER
CHAPTER I
: THE BLACK-BELLIED TARANTULA

The Spider has a bad name: to most of us, she represents an odious,
noxious animal, which every one hastens to crush under foot. Against
this summary verdict the observer sets the beast's industry, its talent as
a weaver, its wiliness in the chase, its tragic nuptials and other
characteristics of great interest. Yes, the Spider is well worth studying,
apart from any scientific reasons; but she is said to be poisonous and
that is her crime and the primary cause of the repugnance wherewith
she inspires us. Poisonous, I agree, if by that we understand that the
animal is armed with two fangs which cause the immediate death of the
little victims which it catches; but there is a wide difference between
killing a Midge and harming a man. However immediate in its effects
upon the insect entangled in the fatal web, the Spider's poison is not
serious for us and causes less inconvenience than a Gnat-bite. That, at
least, is what we can safely say as regards the great majority of the
Spiders of our regions.
Nevertheless, a few are to be feared; and foremost among these is the
Malmignatte, the terror of the Corsican peasantry. I have seen her settle
in the furrows, lay out her web and rush boldly at insects larger than
herself; I have admired her garb of black velvet speckled with
carmine-red; above all, I have heard most disquieting stories told about
her. Around Ajaccio and Bonifacio, her bite is reputed very dangerous,
sometimes mortal. The countryman declares this for a fact and the
doctor does not always dare deny it. In the neighbourhood of Pujaud,

not far from Avignon, the harvesters speak with dread of Theridion
lugubre, {1} first observed by Leon Dufour in the Catalonian
mountains; according to them, her bite would lead to serious accidents.
The Italians have bestowed a bad reputation on the Tarantula, who
produces convulsions and frenzied dances in the person stung by her.
To cope with 'tarantism,' the name given to the disease that follows on
the bite of the Italian Spider, you must have recourse to music, the only
efficacious remedy, so they tell us. Special tunes have been noted,
those quickest to afford relief. There is medical choreography, medical
music. And have we not the tarentella, a lively and nimble dance,
bequeathed to us perhaps by the healing art of the Calabrian peasant?
Must we take these queer things seriously or laugh at them? From the
little that I have seen, I hesitate to pronounce an opinion. Nothing tells
us that the bite of the Tarantula may not provoke, in weak and very
impressionable people, a nervous disorder which music will relieve;
nothing tells us that a profuse perspiration, resulting from a very
Continue reading on your phone by scaning this QR Code

 / 91
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.