reader may be surprised at finding that while often I only give the date under which the reference will be found, frequently I am able to quote the page and volume. The explanation is a simple one: two sets of compositors were generally at work, and two volumes were passing through the press simultaneously.
In the selection of the text which I should adopt I hesitated for some time. In ordinary cases the edition which received the author's final revision is the one which all future editors should follow. The second edition, which was the last that was brought out in Boswell's life-time, could not, I became convinced, be conveniently reproduced. As it was passing through the press he obtained many additional anecdotes and letters. These he somewhat awkwardly inserted in an Introduction and an Appendix. He was engaged on his third edition when he died. 'He had pointed out where some of these materials should be inserted,' and 'in the margin of the copy which he had in part revised he had written notes[36].' His interrupted labours were completed by Edmond Malone, to whom he had read aloud almost the whole of his original manuscript, and who had helped him in the revision of the first half of the book when it was in type[37]. 'These notes,' says Malone, 'are faithfully preserved.' He adds that 'every new remark, not written by the author, for the sake of distinction has been enclosed within crotchets[38].' In the third edition therefore we have the work in the condition in which it would have most approved itself to Boswell's own judgment. In one point only, and that a trifling one, had Malone to exercise his judgment. But so skilful an editor was very unlikely to go wrong in those few cases in which he was called upon to insert in their proper places the additional material which the author had already published in his second edition. Malone did not, however, correct the proof-sheets. I thought it my duty, therefore, in revising my work to have the text of Boswell's second edition read aloud to me throughout. Some typographical errors might, I feared, have crept in. In a few unimportant cases early in the book I adopted the reading of the second edition, but as I read on I became convinced that almost all the verbal alterations were Boswell's own. Slight errors, often of the nature of Scotticisms, had been corrected, and greater accuracy often given. Some of the corrections and additions in the third edition that were undoubtedly from his hand were of considerable importance.
I have retained Boswell's spelling in accordance with the wish that he expressed in the preface to his Account of Corsica. 'If this work,' he writes, 'should at any future period be reprinted, I hope that care will be taken of my orthography[39].' The punctuation too has been preserved.
I should be wanting in justice were I not to acknowledge that I owe much to the labours of Mr. Croker. No one can know better than I do his great failings as an editor. His remarks and criticisms far too often deserve the contempt that Macaulay so liberally poured on them. Without being deeply versed in books, he was shallow in himself. Johnson's strong character was never known to him. Its breadth and length, and depth and height were far beyond his measure. With his writings even he shows few signs of being familiar. Boswell's genius, a genius which even to Lord Macaulay was foolishness, was altogether hidden from his dull eye. No one surely but a 'blockhead,' a 'barren rascal[40],' could with scissors and paste-pot have mangled the biography which of all others is the delight and the boast of the English-speaking world. He is careless in small matters, and his blunders are numerous. These I have only noticed in the more important cases, remembering what Johnson somewhere points out, that the triumphs of one critic over another only fatigue and disgust the reader. Yet he has added considerably to our knowledge of Johnson. He knew men who had intimately known both the hero and his biographer, and he gathered much that but for his care would have been lost for ever. He was diligent and successful in his search after Johnson's letters, of so many of which Boswell with all his persevering and pushing diligence had not been able to get a sight. The editor of Mr. Croker's Correspondence and Diaries[41] goes, however, much too far when, in writing of Macaulay's criticism, he says: 'The attack defeated itself by its very violence, and therefore it did the book no harm whatever. Between forty and fifty thousand copies have been sold, although Macaulay boasted with great glee that he had smashed it.' The book that Macaulay attacked was withdrawn. That
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