The Life of Froude | Page 2

a personage in the county, as well as a dignitary of the Church. Every one in Devonshire knew the name of Froude, if only from "Parson Froude," no credit to his cloth, who appears as Parson Chowne in Blackmore's once popular novel, The Maid of Sker. But the Archdeacon was a man of blameless life, and not in the least like Parson Froude. A hard rider and passionately fond of hunting, he was a good judge of a horse and usually the best mounted man in the field. One of his exploits as an undergraduate was to jump the turnpike gate on the Abingdon road with pennies under his seat, between his knees and the saddle, and between his feet and the stirrups, without dropping one.
Although he had been rather extravagant and something of a dandy, he was able to say that he could account for every sixpence he spent after the age of twenty-one. On leaving Oxford he settled down to the life of a country parson with conscientious thoroughness, and was reputed the best magistrate in the South Hams. Farming his own glebe, as he did, with skill and knowledge, perpetually occupied, as he was, with clerical or secular business, he found the Church of England, not then disturbed by any wave of enthusiasm, at once necessary and sufficient to his religious sense. His horror of Nonconformists was such that he would not have a copy of The Pilgrim's Progress in his house. He upheld the Bishop and all established institutions, believing that the way to heaven was to turn to the right and go straight on. There were many such clergymen in his day.
In appearance he was a cold, hard, stern man, despising sentiment, reticent and self-restrained. But beneath the surface there lay deep emotions and an aesthetic sense, of which his drawings were the only outward sign. To these sketches he himself attached no value. "You can buy better at the nearest shop for sixpence," he would say, if he heard them praised. Yet good judges of art compared them with the early sketches of Turner, and Ruskin afterwards gave them enthusiastic praise. Mr. Froude had married, when quite a young man, Margaret Spedding, the daughter of an old college friend, from Armathwaite in Cumberland. Her nephew is known as the prince of Baconian scholars and the J. S. of Tennyson's poem. She was a woman of great beauty, deeply religious, belonging to a family more strongly given to letters and to science than the Froudes, whose tastes were rather for the active life of sport and adventure. One can imagine the Froudes of the sixteenth century manning the ships of Queen Bess and sailing with Frobisher or Drake. For many years Mrs. Froude was the mistress of a happy home, the mother of many handsome sons and fair daughters. The two eldest, Hurrell and Robert, were especially striking, brilliant lads, popular at Eton, their father's companions in the hunting-field or on the moors. But in Dartington Rectory, with all its outward signs of prosperity and welfare, there were the seeds of death. Before Anthony Froude, the youngest of eight, was three years old, his mother died of a decline, and within a few years the same illness proved fatal to five of her children. The whole aspect of life at Dartington was changed. The Archdeacon retired into himself and nursed his grief in silence, melancholy, isolated, austere.
This irreparable calamity was made by circumstances doubly calamitous. Though destined to survive all his brothers and sisters, Anthony was a weak, sickly child, not considered never heard the mention of his mother's name, or was the Archdeacon himself capable of showing any tenderness whatever. In place of a mother the little boy had an aunt, who applied to him principles of Spartan severity. At the mature age of three he was ducked every morning at a trough, to harden him, in the ice-cold water from a spring, and whenever he was naughty he was whipped. It may have been from this unpleasant discipline that he derived the contempt for self-indulgence, and the indifference to pain, which distinguished him in after life. On the other hand, he was allowed to read what he liked, and devoured Grimm's Tales, The Seven Champions of Christendom, and The Arabian Nights. He was an imaginative and reflective child, full of the wonder in which philosophy begins.
The boy felt from the first the romantic beauty of his home. Dartington Rectory, some two miles from Totnes, is surrounded by woods which overhang precipitously the clear waters of the River Dart. Dartington Hall, which stood near the rectory, is one of the oldest houses in England, originally built before the Conquest, and completed with great magnificence in the reign of Richard II. The vast banqueting-room was,