The Letters of Robert Browning and Elizabeth Barrett Barrett | Page 8

Robert Browning
about a matter, if they had been let tell truth in the beginning, for it is hard to prophane one's very self, and nobody who has, for instance, used certain words and ways to a mother or a father could, even if by the devil's help he would, reproduce or mimic them with any effect to anybody else that was to be won over--and so, if 'I love you' were always outspoken when it might be, there would, I suppose, be no fear of its desecration at any after time. But lo! only last night, I had to write, on the part of Mr. Carlyle, to a certain ungainly, foolish gentleman who keeps back from him, with all the fussy impotence of stupidity (not bad feeling, alas! for that we could deal with) a certain MS. letter of Cromwell's which completes the collection now going to press; and this long-ears had to be 'dear Sir'd and obedient servanted' till I said (to use a mild word) 'commend me to the sincerities of this kind of thing.'! When I spoke of you knowing little of me, one of the senses in which I meant so was this--that I would not well vowel-point my common-place letters and syllables with a masoretic other sound and sense, make my 'dear' something intenser than 'dears' in ordinary, and 'yours ever' a thought more significant than the run of its like. And all this came of your talking of 'tiring me,' 'being too envious,' &c. &c., which I should never have heard of had the plain truth looked out of my letter with its unmistakable eyes. Now, what you say of the 'bowing,' and convention that is to be, and _tant de fa?ons_ that are not to be, helps me once and for ever--for have I not a right to say simply that, for reasons I know, for other reasons I don't exactly know, but might if I chose to think a little, and for still other reasons, which, most likely, all the choosing and thinking in the world would not make me know, I had rather hear from you than see anybody else. Never you care, dear noble Carlyle, nor you, my own friend Alfred over the sea, nor a troop of true lovers!--Are not their fates written? there! Don't you answer this, please, but, mind it is on record, and now then, with a lighter conscience I shall begin replying to your questions. But then--what I have printed gives no knowledge of me--it evidences abilities of various kinds, if you will--and a dramatic sympathy with certain modifications of passion ... that I think--But I never have begun, even, what I hope I was born to begin and end--'R.B. a poem'--and next, if I speak (and, God knows, feel), as if what you have read were sadly imperfect demonstrations of even mere ability, it is from no absurd vanity, though it might seem so--these scenes and song-scraps are such mere and very escapes of my inner power, which lives in me like the light in those crazy Mediterranean phares I have watched at sea, wherein the light is ever revolving in a dark gallery, bright and alive, and only after a weary interval leaps out, for a moment, from the one narrow chink, and then goes on with the blind wall between it and you; and, no doubt, then, precisely, does the poor drudge that carries the cresset set himself most busily to trim the wick--for don't think I want to say I have not worked hard--(this head of mine knows better)--but the work has been inside, and not when at stated times I held up my light to you--and, that there is no self-delusion here, I would prove to you (and nobody else), even by opening this desk I write on, and showing what stuff, in the way of wood, I could make a great bonfire with, if I might only knock the whole clumsy top off my tower! Of course, every writing body says the same, so I gain nothing by the avowal; but when I remember how I have done what was published, and half done what may never be, I say with some right, you can know but little of me. Still, I hope sometimes, though phrenologists will have it that I cannot, and am doing better with this darling 'Luria'--so safe in my head, and a tiny slip of paper I cover with my thumb!
Then you inquire about my 'sensitiveness to criticism,' and I shall be glad to tell you exactly, because I have, more than once, taken a course you might else not understand. I shall live always--that is for me--I am living here this 1845, that is for London. I write from a thorough conviction that it is
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