The Letters of Robert Browning and Elizabeth Barrett Barrett | Page 3

Robert Browning
true friend of all
hours! You know him well enough, I think, to understand that I must be
grateful to him.
I am writing too much,--and notwithstanding that I am writing too
much, I will write of one thing more. I will say that I am your debtor,
not only for this cordial letter and for all the pleasure which came with
it, but in other ways, and those the highest: and I will say that while I
live to follow this divine art of poetry, in proportion to my love for it
and my devotion to it, I must be a devout admirer and student of your
works. This is in my heart to say to you--and I say it.
And, for the rest, I am proud to remain
Your obliged and faithful
ELIZABETH B. BARRETT.
Robert Browning, Esq. New Cross, Hatcham, Surrey.

_R.B. to E.B.B._
New Cross, Hatcham, Surrey. Jan. 13, 1845.
Dear Miss Barrett,--I just shall say, in as few words as I can, that you
make me very happy, and that, now the beginning is over, I dare say I
shall do better, because my poor praise, number one, was nearly as
felicitously brought out, as a certain tribute to no less a personage than
Tasso, which I was amused with at Rome some weeks ago, in a neat
pencilling on the plaister-wall by his tomb at Sant'Onofrio--'Alla cara
memoria--di--(please fancy solemn interspaces and grave capital letters
at the new lines) di--Torquato Tasso--il Dottore Bernardini--offriva--il
seguente Carme--_O tu_'--and no more,--the good man, it should seem,
breaking down with the overload of love here! But my 'O tu'--was

breathed out most sincerely, and now you have taken it in gracious part,
the rest will come after. Only,--and which is why I write now--it looks
as if I have introduced some phrase or other about 'your faults' so
cleverly as to give exactly the opposite meaning to what I meant, which
was, that in my first ardour I had thought to tell you of everything
which impressed me in your verses, down, even, to whatever 'faults' I
could find,--a good earnest, when I had got to them, that I had left out
not much between--as if some Mr. Fellows were to say, in the overflow
of his first enthusiasm of rewarded adventure: 'I will describe you all
the outer life and ways of these Lycians, down to their very
sandal-thongs,' whereto the be-corresponded one rejoins--'Shall I get
next week, then, your dissertation on sandal-thongs'? Yes, and a little
about the 'Olympian Horses,' and God-charioteers as well!
What 'struck me as faults,' were not matters on the removal of which,
one was to have--poetry, or high poetry,--but the very highest poetry,
so I thought, and that, to universal recognition. For myself, or any artist,
in many of the cases there would be a positive loss of time, peculiar
artist's pleasure--for an instructed eye loves to see where the brush has
dipped twice in a lustrous colour, has lain insistingly along a favourite
outline, dwelt lovingly in a grand shadow; for these 'too muches' for the
everybody's picture are so many helps to the making out the real
painter's picture as he had it in his brain. And all of the Titian's Naples
Magdalen must have once been golden in its degree to justify that heap
of hair in her hands--the only gold effected now!
But about this soon--for night is drawing on and I go out, yet cannot,
quiet at conscience, till I report (to myself, for I never said it to you, I
think) that your poetry must be, cannot but be, infinitely more to me
than mine to you--for you do what I always wanted, hoped to do, and
only seem now likely to do for the first time. You speak out, you,--I
only make men and women speak--give you truth broken into prismatic
hues, and fear the pure white light, even if it is in me, but I am going to
try; so it will be no small comfort to have your company just now,
seeing that when you have your men and women aforesaid, you are
busied with them, whereas it seems bleak, melancholy work, this
talking to the wind (for I have begun)--yet I don't think I shall let you
hear, after all, the savage things about Popes and imaginative religions
that I must say.

See how I go on and on to you, I who, whenever now and then pulled,
by the head and hair, into letter-writing, get sorrowfully on for a line or
two, as the cognate creature urged on by stick and string, and then
come down 'flop' upon the sweet haven of page one, line last, as serene
as the sleep of the virtuous! You will never more, I hope, talk
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