The Letters of Elizabeth Barrett Browning, Volume II

Letters of Elizabeth Barrett
Browning, Volume II, The

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Title: The Letters of Elizabeth Barrett Browning, Volume II
Author: Elizabeth Barrett Browning
Editor: Frederic G. Kenyon
Release Date: September 4, 2005 [EBook #16646]
Language: English
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[Transcriber's Notes: The letter "o" with a macron is indicated as [=o]
in this text. The oe ligature has been replaced with the letters "oe". The
original text had the word "Madame" written two ways: "Mad"
followed by superscripted "me" and "Ma" followed by superscripted
"dme". All have been rendered as Madme.]
[Illustration: _Robert Browning._ Rome 1854. _From an Oil Painting
by W. Fisher._]

THE LETTERS OF ELIZABETH BARRETT BROWNING
EDITED WITH BIOGRAPHICAL ADDITIONS
BY FREDERIC G. KENYON
WITH PORTRAITS IN TWO VOLUMES
VOLUME II.
THIRD EDITION LONDON
SMITH, ELDER, & CO., 15 WATERLOO PLACE 1898

CONTENTS OF THE SECOND VOLUME
* * * * *
CHAPTER VII
1851-1852
'Casa Guidi Windows'--Venice--Milan--Paris--London--Winter in
Paris--The Coup d'Etat--Louis Napoleon--Miss Mitford's
'Recollections'--George Sand--Miss Mulock--Summer in England, 1

CHAPTER VIII
1852-1855
Return to Florence--Spiritualism--Robert Lytton--Bagni di
Lucca--Florence--Rome--Florence--The Crimean War--Death of Miss
Mitford, 91
CHAPTER IX
1855-1859
Visit to England--Tennyson's 'Maud'--Winter in Paris--Mr.
Ruskin--Last Visit to England--'Aurora Leigh'--Death of Mr.
Kenyon--Return to Florence--Carnival--Death of Mr. Barrett--Bagni di
Lucca--Illness of Lytton--Paris--Havre--Paris--Florence--Rome, 205
CHAPTER X
1859-1860
The Franco-Austrian War--Napoleon and
Italy--Villafranca--Florence--Siena--Italian Politics and
England--Landor--Florence--Rome, 305
CHAPTER XI
1860-1861
'Poems before Congress'--Napoleon and Savoy--France, Italy, and
England--Florence--Death of Mrs. Surtees
Cook--Garibaldi--Rome--The 'Cornhill Magazine' and
Thackeray--Increasing Weakness--Death of Mrs. Browning, 363
INDEX, 455
PORTRAIT OF ROBERT BROWNING, ROME 1854, Frontispiece
FACSIMILE OF LETTER TO THE EMPEROR NAPOLEON, _to

face p. 262_

THE LETTERS
OF
ELIZABETH BARRETT BROWNING
* * * * *
CHAPTER VII
1851-1852
Since they first settled in Florence the Brownings had made no long or
distant expeditions from their new home. Their summer excursions to
Vallombrosa, Lucca, or Siena had been of the nature of short holidays,
and had not taken them beyond the limits of Tuscany. Now they had
planned a far wider series of travels, which, beginning with Rome,
Naples, Venice, and Milan, should then be extended across the Alps,
and comprehend Brussels, Paris, and ultimately London. This
ambitious programme had to be curtailed by the omission of the
southern tour to Rome and Naples, as well as the digression to Brussels,
but the rest of the scheme was carried out, and about the beginning of
June they left Casa Guidi for an absence which extended over
seventeen months.
The holiday had been well earned, especially by Mrs. Browning, who,
since the preparation of the new edition of her poems in the previous
year, had been writing the second part of 'Casa Guidi Windows.' It is
probably to this poem that she refers in the letter to Miss Browning
printed at the end of the last chapter, Miss Browning having on more
than one occasion helped both her brother and her sister-in-law in the
task of passing their poems through the press. The book appeared in
June, just as they were starting on their travels, and probably for this
reason we hear less in the letters of its reception. It was hardly to be

expected that the English public would take a very keen interest in a
poem dealing almost entirely with Italian politics, and half of it with
the politics of three years ago. Either in 1849 or in 1859 the interest
would have been livelier; but Italy was passing now through the valley
of the shadow, and, save for the horrors of the Neapolitan prisons, was
not much before the public for the moment. The intrigues of Louis
Napoleon and the ostentatious aggression of the Pope in England were
the matters of most interest in foreign politics, and both were
overshadowed by the absorbing topic of the Great Exhibition.
Another reason why 'Casa Guidi Windows' has received less
appreciation than it deserves, both at the time of its publication and
since, is that it stands rather apart from all the recognised species of
poetry, and is hard to classify and criticise. Its political and
contemporary character cut it off from the imaginative and historical
subjects which form in general the matter of poetry, while its genuinely
poetic emotion and language separate it from the political pamphlet or
the occasional verse. It is a poetic treatment of