are comprehended, in the terminology of the post-Biblical literature of the Jews, under the inclusive description Haggadah, a name that can be explained by a circumlocution, but cannot be translated. Whatever it is applied to is thereby characterized first as being derived from the Holy Scriptures, and then as being of the nature of a story. And, in point of fact, this dualism sums up the distinguishing features of Jewish Legend. More than eighteen centuries ago the Jewish historian Josephus observed that "though we be deprived of our wealth, of our cities, or of the other advantages we have, our law continues immortal." The word he meant to use was not law, but Torah, only he could not find an equivalent for it in Greek. A singer of the Synagogue a thousand years after Josephus, who expressed his sentiments in Hebrew, uttered the same thought: "The Holy City and all her daughter cities are violated, they lie in ruins, despoiled of their ornaments, their splendor darkened from sight. Naught is left to us save one eternal treasure alone--the Holy Torah." The sadder the life of the Jewish people, the more it felt the need of taking refuge in its past. The Scripture, or, to use the Jewish term, the Torah, was the only remnant of its former national independence, and the Torah was the magic means of making a sordid actuality recede before a glorious memory. To the Scripture was assigned the task of supplying nourishment to the mind as well as the soul, to the intellect as well as the imagination, and the result is the Halakah and the Haggadah.
The fancy of the people did not die out in the post-Biblical time, but the bent of its activity was determined by the past.
Men craved entertainment in later times as well as in the earlier, only instead of resorting for its subject-matter to what happened under their eyes, they drew from the fountain-head of the past. The events in the ancient history of Israel, which was not only studied, but lived over again daily, stimulated the desire to criticize it. The religious reflections upon nature laid down in the myths of the people, the fairy tales, which have the sole object of pleasing, and the legends, which are the people's verdict upon history--all these were welded into one product. The fancy of the Jewish people was engaged by the past reflected in the Bible, and all its creations wear a Biblical hue for this reason. This explains the peculiar form of the Haggadah.
But what is spontaneously brought forth by the people is often preserved only in the form impressed upon it by the feeling and the thought of the poet, or by the speculations of the learned. Also Jewish legends have rarely been transmitted in their original shape. They have been perpetuated in the form of Midrash, that is, Scriptural exegesis. The teachers of the Haggadah, called Rabbanan d'Aggadta in the Talmud, were no folklorists, from whom a faithful reproduction of legendary material may be expected. Primarily they were homilists, who used legends for didactic purposes, and their main object was to establish a close connection between the Scripture and the creations of the popular fancy, to give the latter a firm basis and secure a long term of life for them.
One of the most important tasks of the modern investigation of the Haggadah is to make a clean separation between the original elements and the later learned additions. Hardly a beginning has been made in this direction. But as long as the task of distinguishing them has not been accomplished, it is impossible to write out the Biblical legends of the Jews without including the supplemental work of scholars in the products of the popular fancy.
In the present work, "The Legends of the Jews," I have made the first attempt to gather from the original sources all Jewish legends, in so far as they refer to Biblical personages and events, and reproduce them with the greatest attainable completeness and accuracy. I use the expression Jewish, rather than Rabbinic, because the sources from which I have levied contributions are not limited to the Rabbinic literature. As I expect to take occasion elsewhere to enter into a description of the sources in detail, the following data must suffice for the present.
The works of the Talmudic Midrashic literature are of the first importance. Covering the period from the second to the fourteenth century, they contain the major part of the Jewish legendary material. Akin to this in content if not always in form is that derived from the Targumim, of which the oldest versions were produced not earlier than the fourth century, and the most recent not later than the tenth. The Midrashic literature has been preserved only in fragmentary form. Many
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