The Last Hope | Page 8

me, you understand. I am no dreamer, but a very material person, who lives in France because he loves the sunshine, and the cuisine, and the good, kind hearts, which no government or want of government can deteriorate."
And Madame de Chantonnay, who liked Dormer Colville--with whom she admitted she always felt herself in sympathy--smiled graciously in response to his gallant bow. For she, too, was a materialist who loved the sunshine and the cuisine; more especially the cuisine.
Moreover, Colville never persuaded the Marquis de Gemosac to come to England. He went so far as to represent, in a realistic light, the discomforts of the journey, and only at the earnest desire of many persons concerned did he at length enter into the matter and good- naturedly undertake to accompany the aged traveller.
So far as his story was concerned, he kept his word, entertaining the Marquis on the journey and during their two days' sojourn at the humble inn at Farlingford with that flow of sympathetic and easy conversation which always made Madame de Chantonnay protest that he was no Englishman at all, but all that there was of the most French. Has it not been seen that Colville refused to translate the dark sayings of River Andrew by the side of the grass-grown grave, which seemed to have been brought to the notice of the travellers by the merest accident?
"I promised you that I should tell you nothing until you had seen him," he repeated, as the Marquis followed with his eyes the movements of the group of which the man they called Loo Barebone formed the centre.
No one took much notice of the two strangers. It is not considered good manners in a seafaring community to appear to notice a new- comer. Captain Clubbe was naturally the object of universal attention. Was he not bringing foreign money into Farlingford, where the local purses needed replenishing now that trade had fallen away and agriculture was so sorely hampered by the lack of roads across the marsh?
Clubbe pushed his way through the crowd to shake hands with the Rev. Septimus Marvin, who seemed to emerge from a visionary world of his own in order to perform that ceremony and to return thither on its completion.
Then the majority of the onlookers straggled homeward, leaving a few wives and sweethearts waiting by the steps, with patient eyes fixed on the spidery figures in the rigging of "The Last Hope." Dormer Colville and the Marquis de Gemosac were left alone, while the rector stood a few yards away, glaring abstractedly at them through his gold-rimmed spectacles as if they had been some strange flotsam cast up by the high tide.
"I remember," said Colville to his companion, "that I have an introduction to the pastor of the village, who, if I am not mistaken, is even now contemplating opening a conversation. It was given to me by my banker in Paris, who is a Suffolk man. You remember, Marquis, John Turner, of the Rue Lafayette?"
"Yes--yes," answered the Marquis, absently. He was still watching the retreating villagers, with eyes old and veiled by the trouble that they had seen.
"I will take this opportunity of presenting myself," said Colville, who was watching the little group from the rectory without appearing to do so. He rose as he spoke and went toward the clergyman, who was probably much younger than he looked. For he was ill-dressed and ill-shorn, with straggling grey hair hanging to his collar. He had a musty look, such as a book may have that is laid on a shelf in a deserted room and never opened or read. Septimus Marvin, the world would say, had been laid upon a shelf when he was inducted to the spiritual cure of Farlingford. But no man is ever laid on a shelf by Fate. He climbs up there of his own will, and lies down beneath the dust of forgetfulness because he lacks the heart to arise and face the business of life.
Seeing that Dormer Colville was approaching him, he came forward with a certain scholarly ease of manner as if he had once mixed with the best on an intellectual equality.
Colville's manners were considered perfect, especially by those who were unable to detect a fine line said to exist between ease and too much ease. Mr. Marvin recollected John Turner well. Ten years earlier he had, indeed, corresponded at some length with the Paris banker respecting a valuable engraving. Was Mr. Colville interested in engravings? Colville confessed to a deep and abiding pleasure in this branch of art, tempered, he admitted with a laugh, by a colossal ignorance. He then proceeded to give the lie to his own modesty by talking easily and well of mezzotints and etchings.
"But," he said, interrupting himself with evident reluctance, "I