The Land of Footprints | Page 6

Up the slope were two more does and two funny, fuzzy babies. An immature buck occupied the extreme left with three young ladies. But the big buck, the leader, the boss of the lot, I could not see anywhere. Of course he must be about, and I craned my neck cautiously here and there trying to make him out.
Suddenly, with one accord, all turned and began to trot rapidly away to the right, their heads high. In the strange manner of animals, they had received telepathic alarm, and had instantly obeyed. Then beyond and far to the right I at last saw the beast I had been looking for. The old villain had been watching me all the time!
The little herd in single file made their way rapidly along the face of the rise. They were headed in the direction of the stream. Now, I happened to know that at this point the stream-canyon was bordered by sheer cliffs. Therefore, the sing-sing must round the hill, and not cross the stream. By running to the top of the hill I might catch a glimpse of them somewhere below. So I started on a jog trot, trying to hit the golden mean of speed that would still leave me breath to shoot. This was an affair of some nicety in the tall grass. Just before I reached the actual slope, however, I revised my schedule. The reason was supplied by a rhino that came grunting to his feet about seventy yards away. He had not seen me, and he had not smelled me, but the general disturbance of all these events had broken into his early morning nap. He looked to me like a person who is cross before breakfast, so I ducked low and ran around him. The last I saw of him he was still standing there, quite disgruntled, and evidently intending to write to the directors about it.
Arriving at the top, I looked eagerly down. The cliff fell away at an impossible angle, but sheer below ran out a narrow bench fifty yards wide. Around the point of the hill to my right-where the herd had gone-a game trail dropped steeply to this bench. I arrived just in time to see the sing-sing, still trotting, file across the bench and over its edge, on some other invisible game trail, to continue their descent of the cliff. The big buck brought up the rear. At the very edge he came to a halt, and looked back, throwing his head up and his nose out so that the heavy fur on his neck stood forward like a ruff. It was a last glimpse of him, so I held my little best, and pulled trigger.
This happened to be one of those shots I spoke of-which the perpetrator accepts with a thankful and humble spirit. The sing-sing leaped high in the air and plunged over the edge of the bench. I signalled the camp-in plain sight-to come and get the head and meat, and sat down to wait. And while waiting, I looked out on a scene that has since been to me one of my four symbolizations of Africa.
The morning was dull, with gray clouds through which at wide intervals streamed broad bands of misty light. Below me the cliff fell away clear to a gorge in the depths of which flowed a river. Then the land began to rise, broken, sharp, tumbled, terrible, tier after tier, gorge after gorge, one twisted range after the other, across a breathlessly immeasurable distance. The prospect was full of shadows thrown by the tumult of lava. In those shadows one imagined stranger abysses. Far down to the right a long narrow lake inaugurated a flatter, alkali-whitened country of low cliffs in long straight lines. Across the distances proper to a dozen horizons the tumbled chaos heaved and fell. The eye sought rest at the bounds usual to its accustomed world-and went on. There was no roundness to the earth, no grateful curve to drop this great fierce country beyond a healing horizon out of sight. The immensity of primal space was in it, and the simplicity of primal things-rough, unfinished, full of mystery. There was no colour. The scene was done in slate gray, darkening to the opaque where a tiny distant rain squall started; lightening in the nearer shadows to reveal half-guessed peaks; brightening unexpectedly into broad short bands of misty gray light slanting from the gray heavens above to the sombre tortured immensity beneath. It was such a thing as Gustave Dore might have imaged to serve as an abiding place for the fierce chaotic spirit of the African wilderness.
I sat there for some time hugging my knees, waiting for the men to come. The tremendous landscape seemed to have been willed