The Land of Contrasts | Page 3

Réaumur mean as great a heat as ninety degrees of Fahrenheit. Such a city as Boston amply justifies its inclusion in a "Historic Towns" series, along with London and Oxford; and it is by no means a singular instance. Even the lover of art will not find America an absolute Sahara. To say nothing of the many masterpieces of European painters that have found a resting-place in America, where there is at least one public picture gallery and several private ones of the first class, the best efforts of American painters, and perhaps still more those of American sculptors, are full of suggestion and charm; while I cannot believe that the student of modern architecture will anywhere find a more interesting field than among the enterprising and original works of the American school of architecture.
This book will be grievously misunderstood if it is supposed to be in any way an attempt to cover, even sketchily, the whole ground of American civilisation, or to give anything like a coherent appreciation of it. In the main it is merely a record of personal impressions, a series of notes upon matters which happened to come under my personal observation and to excite my personal interest. Not only the conditions under which I visited the country, but also my own disqualifications of taste and knowledge, have prevented me from more than touching on countless topics, such as the phenomena of politics, religion, commerce, and industry, which would naturally find a place in any complete account of America. I have also tried to avoid, so far as possible, describing well-known scenery, or in other ways going over the tracks of my predecessors. The phenomena of the United States are so momentous in themselves that the observation of them from any new standpoint cannot be wholly destitute of value; while they change so rapidly that he would be unobservant indeed who could not find something new to chronicle.
It is important, also, to remember that the generalisations of this book apply in very few cases to the whole extent of the United States. I shall be quite contented if any one section of the country thinks that I cannot mean it in such-and-such an assertion, provided it allows that the cap fits some other portion of the great community. As a rule, however, it may be assumed that unqualified references to American civilisation relate to it as crystallised in such older communities as New York or Philadelphia, not to the fermenting process of life-in-the-making on the frontier.
In the comparisons between Great Britain and the United States I have tried to oppose only those classes which substantially correspond to each other. Thus, in contrasting the Lowell manufacturer, the Hampshire squire, the Virginian planter, and the Manchester man, it must not be forgotten that the first and the last have many points of difference from the second and third which are not due to their geographical position. Many of the instances on which my remarks are based may undoubtedly be called extreme; but even extreme cases are suggestive, if not exactly typical. There is a breed of poultry in Japan, in which, by careful cultivation, the tail-feathers of the cock sometimes reach a length of ten or even fifteen feet. This is not precisely typical of the gallinaceous species; but it is none the less a phenomenon which might be mentioned in a comparison with the apteryx.
Finally, I ought perhaps to say, with Mr. E.A. Freeman, that I sometimes find it almost impossible to believe that the whole nation can be so good as the people who have been so good to me.
FOOTNOTES:
[1] I have some suspicion that this ought to be in quotation marks, but cannot now trace the passage.

II
The Land of Contrasts
When I first thought of writing about the United States at all, I soon came to the conclusion that no title could better than the above express the general impression left on my mind by my experiences in the Great Republic. It may well be that a long list of inconsistencies might be made out for any country, just as for any individual; but so far as my knowledge goes the United States stands out as pre?minently the "Land of Contrasts"--the land of stark, staring, and stimulating inconsistency; at once the home of enlightenment and the happy hunting ground of the charlatan and the quack; a land in which nothing happens but the unexpected; the home of Hyperion, but no less the haunt of the satyr; always the land of promise, but not invariably the land of performance; a land which may be bounded by the aurora borealis, but which has also undeniable acquaintance with the flames of the bottomless pit; a land which is laved at once by the rivers of Paradise and the leaden