The Land of Contrasts | Page 2

a Mte. Rosa; the architect who expects to find the railway time-table punctuated at hourly intervals by a venerable monument of his art; the connoisseur who hopes to visit a Pitti Palace or a Dresden Picture Gallery in every large city; the student who counts on finding almost every foot of ground soaked with historic gore and every building hallowed by immemorial association; the sociologist who looks for different customs, costumes, and language at every stage of his journey;--each and all of these will do well to refrain his foot from the soil of the United States. On the other hand, the man who is interested in the workings of civilisation under totally new conditions; who can make allowances, and quickly and easily readjust his mental attitude; who has learned to let the new comforts of a new country make up, temporarily at least, for the loss of the old; who finds nothing alien to him that is human, and has a genuine love for mankind; who can appreciate the growth of general comfort at the expense of caste; who delights in promising experiments in politics, sociology, and education; who is not thrown off his balance by the shifting of the centre of gravity of honour and distinction; who, in a word, is not congealed by conventionality, but is ready to accept novelties on their merits,--he, unless I am very grievously mistaken, will find compensations in the United States that will go far to make up for Swiss Alp and Italian lake, for Gothic cathedral and Palladian palace, for historic charters and time-honoured tombs, for paintings by Raphael and statues by Phidias.
Perhaps, in the last analysis, our appreciation of America will depend on whether we are optimistic or pessimistic in regard to the great social problem which is formed of so many smaller problems. If we think that the best we can do is to preserve what we have, America will be but a series of disappointments. If, however, we believe that man's sympathies for others will grow deeper, that his ingenuity will ultimately be equal to at least a partial solution of the social question, we shall watch the seething of the American crucible with intensest interest. The solution of the social problem, speaking broadly, must imply that each man must in some direction, simple or complex, work for his own livelihood. Equality will always be a word for fools and doctrinaires to conjure with, but those who believe in man's sympathy for man must have faith that some day relative human justice will be done, which will be as far beyond the justice of to-day as light is from dark.[1] And it would be hard to say where we are to look for this consummation if not in the United States of America, which "has been the home of the poor and the eccentric from all parts of the world, and has carried their poverty and passions on its stalwart young shoulders." We may visit the United States, like M. Bourget, _pour reprendre un peu de foi dans le lendemain de civilisation_.
The paragraph on a previous page is not meant to imply that the United States are destitute of scenic, artistic, picturesque, and historic interest. The worst that can be said of American scenery is that its best points are separated by long intervals; the best can hardly be put too strongly. Places like the Yosemite Valley (of which Mr. Emerson said that it was the only scenery he ever saw where "the reality came up to the brag"), the Yellowstone Park, Niagara, and the stupendous Ca?on of the Colorado River amply make good their worldwide reputation; but there are innumerable other places less known in Europe, such as the primeval woods and countless lakes of the Adirondacks, the softer beauties of the Berkshire Hills, the Hudson (that grander American Rhine), the Swiss-like White Mountains, the Catskills, the mystic Ocklawaha of Florida, and the Black Mountains of Carolina that would amply repay the easy trouble of an Atlantic passage under modern conditions. The historic student, too, will find much that is worthy of his attention, especially in the older Eastern States; and will, perhaps, be surprised to realise how relative a term antiquity is. In a short time he will find himself looking at an American building of the seventeenth century with as much reverence as if it had been a contemporary of the Plantagenets; and, indeed, if antiquity is to be determined by change and development rather than by mere flight of time, the two centuries of New York will hold their own with a cycle of Cathay. It is, as Dr. Oliver Wendell Holmes remarked to the present writer, like the different thermometrical scales; it does not take very long to realise that twenty-five degrees of