by Catholics of our blood. Edelwald will move Denys to take arms with us, if any one can. My lord depends much upon Edelwald. This instant," said Marie with a laugh, "I find the worst of all my discomforts these disordered garments."
The stranger left by the fire gazed around the dim place, which was lighted only by high windows in front. The mighty hearth, inclosed by settles, was like a roseate side-chamber to the hall. Outside of this the stone-paved floor spread away unevenly. She turned her eyes from the arms of La Tour over the mantel to trace seamed and footworn flags, and noticed in the distant corner, at the bottom of the stairs, that they gave way to a trapdoor of timbers. This was fastened down with iron bars, and had a huge ring for its handle. Her eyes rested on it in fear, betwixt the separated settles.
But it was easily lost sight of in the fire's warmth. She had been so chilled by salt air and spray as to crowd close to the flame and court scorching. Her white face kindled with heat. She threw back her mufflers, and the comfort of the child occurring to her, she looked at its small face through a tunnel of clothing. Its exceeding stillness awoke but one wish, which she dared not let escape in words.
These stone walls readily echoed any sound. So scantily furnished was the great hall that it could not refrain from echoing. There were some chairs and tables not of colonial pattern, and a buffet holding silver tankards and china; but these seemed lost in space. Opposite the fireplace hung two portraits,--one of Charles La Tour's father, the other of a former maid of honor at the English court. The ceiling of wooden panels had been brought from La Tour's castle at Cape Sable; it answered the flicker of the fire with lines of faded gilding.
The girl dropped her wrappings on the bench, and began to unroll the baby, as if curious about its state.
"I believe it is dead!" she whispered.
But the clank of a long iron latch which fastened the outer door was enough to deflect her interest from the matter. She cast her cloak over the baby, and held it loosely on her knees, with its head to the fire. When the door shut with a crash, and some small object scurried across the stone floor, the girl looked out of her retreat with fear. Her eyelids and lips fell wider apart. She saw a big-headed brownie coming to the hearth, clad, with the exception of its cap, in the dun tints of autumn woods. This creature, scarcely more than two feet high, had a woman's face, of beak-like formation, projecting forward. She was as bright-eyed and light of foot as any bird. Moving within the inclosure of the settles, she hopped up with a singular power of vaulting, and seated herself, stretching toward the fire a pair of spotted seal moccasins. These were so small that the feet on which they were laced seemed an infant's, and sorted strangely with the mature keen face above them. Youth, age, and wise sylvan life were brought to a focus in that countenance.
To hear such a creature talk was like being startled by spoken words from a bird.
"I'm Le Rossignol," she piped out, when she had looked at the vagrant girl a few minutes, "and I can read your name on your face. It's Marguerite."
The girl stared helplessly at this midget seer.
"You're the same Marguerite that was left on the Island of Demons a hundred years ago. You may not know it, but you're the same. I know that downward look, and soft, crying way, and still tongue, and the very baby on your knees. You never bring any good, and words are wasted on you. Don't smile under your sly mouth, and think you are hiding anything from Le Rossignol."
The girl crouched deeper into her clothes, until those unwinking eyes relieved her by turning with indifference toward the chimney.
"I have no pity for any Marguerite," Le Rossignol added, and she tossed from her head the entire subject with a cap made of white gull breasts. A brush of red hair stood up in thousands of tendrils, exaggerating by its nimbus the size of her upper person. Never had dwarf a sweeter voice. If she had been compressed in order to produce melody, her tones were compensation, enough. She made lilting sounds while dangling her feet to the blaze, as if she thought in music.
Le Rossignol was so positive a force that she seldom found herself overborne by the presence of large human beings. The only man in the fortress who saw her without superstition was Klussman. He inclined to complain of her antics, but not
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