The Island of Faith | Page 9

Margaret E. Sangster
head with a defiant little gesture. She knew well that the Young Doctor was sorry for yesterday's quarrel--she knew that a night beside the dying Mrs. Celleni, and the wails of the Cohen baby, had temporarily softened his viewpoint upon life. And yet--he had said that they were soulless--these people that she had come to help! He would have condemned Bennie Volsky from the first--but she had detected the glimmerings of something fine in the child! No--despite his more tolerant attitude--she knew that, underneath, his convictions were unchanged. She was glad that she had gone out upon her adventure alone.
With a heart that throbbed in quick staccato beats, she mounted the steps of the tenement. Little dark-eyed children moved away from her, apparently on every side, but somehow she scarcely noticed them. The doorway yawned, like an open mouth, in front of her--and she could think of nothing else. As she went over the dark threshold she remembered stories that she had read about people who go in at tenement doorways and are never seen again. Every one has read such stories in the daily newspapers--and perhaps some of them are true!
A faint light flickered in through the doorway. It made the ascent of the first flight of creaking stairs quite easy. At least Rose-Marie could step aside from the piles of rubbish and avoid the rickety places. She wondered, as she went up, her fingers gingerly touching the dirty hand-rail, how people could exist under such wretched conditions.
The second flight was harder to manage. The light from the narrow doorway was shut off, and there were no windows. There might have been gas jets upon every landing--Rose-Marie supposed that there were--but it was mid-afternoon, and they had not yet been lighted. She groped her way up the second flight, and the third, feeling carefully along each step with her foot before she put her weight upon it.
On the fourth flight she paused for a moment to catch her breath. But she realized, as she paused, that even breathing had to be done under difficulties in this place. There was no ventilation of any sort, so far as she could tell--all about her floated the odours of boiled cabbage, and fried onions, and garlic. And there were other odours, too; the indescribable smells of soiled clothing and soap-suds and greasy dishes.
But in Rose-Marie's mind, the odours--poignant though they were--took second place to the sounds. Never, she told herself, had she imagined that so many different sorts of noises could exist in the same place at one and the same time. There were the cries and sobs of little children, the moans of sickness, the thuds of falling furniture and the crashes of breaking crockery. There were yells of rage, and--worst of all--bursts of appalling profanity. Rose-Marie, standing there in the darkness of the fourth flight, heard words that she had never expected to hear--phrases of which she had never dreamed. She shuddered as she started up the fifth flight, and when, at last, she stood in front of the Volsky flat, she experienced almost a feeling of relief. At least she would be shut off, in a moment, from those alien and terrible sounds--at least, in a moment, she would be in a home.
To most of us--particularly if we have grown up in an atmosphere such as had always sheltered Rose-Marie--the very sound of the word "home" brings a certain sense of warmth and comfort. Home stands for shelter and protection and love. "Be it ever so humble," the old song tells us, "be it ever so humble ..."
And Rose-Marie, knocking timidly upon the Volsky door, expected to find a home. She expected it to be humble in the truest sense of the word--to be ragged and poverty-stricken and mean. And yet she could not feel that it would be utterly divorced from the ideals she had always built around her conception of the word. She expected it to be a home because a family lived there together--a mother, and a father, and children.
In answer to her knock the door swung open--a little way. The glow of a dingy lamp fell about her, through the opening--she felt suddenly as if she had been swept, willy-nilly, before the footlights of some hostile stage. For a moment she stood blinking. And as she stood there, quite unable to see, she heard the voice of Bennie Volsky, speaking in a hoarse whisper.
"It's you, Miss!" said the voice, and it was as full of intense wonderment as a voice could be. "I never thought that you'd come--I didn't think you was on th' level. So many folks say they'll do things--" he broke off, and then--"Walk in, quiet," he told her slowly. "Don't make any noise, if yer can help it! Pa's come home,
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