The Iron Woman | Page 3

time the Maitland house was indeed, as poor little Blair said, "ugly." Twenty years before, its gardens and meadows had stretched over to the river; but the estate had long ago come down in size and gone up in dollars. Now, there was scarcely an acre of sooty green left, and it was pressed upon by the yards of the Maitland Works, and almost islanded by railroad tracks. Grading had left the stately and dilapidated old house somewhat above the level of a street noisy with incessant teaming, and generally fetlock-deep in black mud. The house stood a little back from the badly paved sidewalk; its meager dooryard was inclosed by an iron fence--a row of black and rusted spears, spotted under their tines with innumerable gray cocoons. (Blair and David made constant and furtive attempts to lift these spears, socketed in crumbling lead in the granite base, for of course there could be nothing better for fighting Indians than a real iron spear.) The orchard behind the house had been cut in two by a spur track, which brought jolting gondola cars piled with red ore down to the furnace. The half dozen apple-trees that were left stretched gaunt arms over sour, grassless earth; they put out faint flakes of blossoms in the early spring, and then a fleeting show of greenness, which in a fortnight shriveled and blackened out of all semblance of foliage. But all the same the children found it a delightful place to play, although Blair sometimes said sullenly that it was "ugly." Blair hated ugly things, and, poor child! he was assailed by ugliness on every side. The queer, disorderly dining-room, in which for reasons of her own Mrs. Maitland transacted so much of her business that it had become for all practical purposes an office of her Works, was perhaps the "ugliest" thing in the world to the little boy.
"Why don't we have a real dining-room?" he said once; "why do we have to eat in a office?"
"We'll eat in the kitchen, if I find it convenient," his mother told him, looking at him over her newspaper, which was propped against a silver coffee-urn that had found a clear space on a breakfast table cluttered with papers and ledgers.
"They have a bunch of flowers on the table up at David's house," the little boy complained; "I don't see why we can't."
"I don't eat flowers," Mrs. Maitland said grimly.
"I don't eat papers," Blair said, under his breath; and his mother looked at him helplessly. How is one to reply to a child of eight who makes remarks of this kind? Mrs. Maitland did not know; it was one of the many things she did not know in relation to her son; for at that time she loved him with her mind rather than her body, so she had none of those soft intuitions and persuasions of the flesh which instruct most mothers. In her perplexity she expressed the sarcastic anger one might vent upon an equal under the same circumstances:
"You'd eat nothing at all, young man, let me tell you, if it wasn't for the 'papers,' as you call 'em, in this house!" But it was no wonder that Blair called it ugly--the house, the orchard, the Works--even his mother, in her rusty black alpaca dress, sitting at her desk in the big, dingy dining-room, driving her body and soul, and the bodies and souls of her workmen--all for the sake of the little, shrinking boy, who wanted a bunch of flowers on the table. Poor mother! Poor son! And poor little proper, perplexed half-sister, looking on, and trying to make peace. Nannie's perplexities had begun very far back. Of course she was too young when her father married his second wife to puzzle over that; but if she did not, other people did. Why a mild, vague young widower who painted pictures nobody bought, and was as unpractical as a man could be whose partnership in an iron-works was a matter of inheritance--why such a man wanted to marry Miss Sarah Blair was beyond anybody's wisdom. It is conceivable, indeed, that he did not want to.
There were rumors that after the death of Nannie's mother, Herbert Maitland had been inclined to look for consolation to a certain Miss Molly Wharton (she that afterward married another widower, Henry Knight); and everybody thought Miss Molly was willing to smile upon him. Be that as it may, he suddenly found himself the husband of his late partner's daughter, a woman eight years older than he, and at least four inches taller; a silent, plain woman, of devastating common sense, who contradicted all those femininities and soft lovelinesses so characteristic, not only of his first wife but of pretty Molly Wharton also.
John Blair, the father of the