The Inferno | Page 5

Berton, who could do everything for me, who had but to say a word, the god of my material life.
I started to light the lamp. I scratched a match. It did not catch fire, the phosphorous end breaking off. I threw it away and waited a moment, feeling a little tired.
Then I heard a song hummed quite close to my ear.
. . . . .
Some one seemed to be leaning on my shoulder, singing for me, only for me, in confidence.
Ah, an hallucination! Surely my brain was sick--my punishment for having thought too hard.
I stood up, and my hand clutched the edge of the table. I was oppressed by a feeling of the supernatural. I sniffed the air, my eyelids blinking, alert and suspicious.
The singing kept on. I could not get rid of it. My head was beginning to go round. The singing came from the room next to mine. Why was it so pure, so strangely near? Why did it touch me so? I looked at the wall between the two rooms, and stifled a cry of surprise.
High up, near the ceiling, above the door, always kept locked, there was a light. The song fell from that star.
There was a crack in the partition at that spot, through which the light of the next room entered the night of mine.
I climbed up on the bed, and my face was on a level with the crack. Rotten woodwork, two loose bricks. The plaster gave way and an opening appeared as large as my hand, but invisible from below, because of the moulding.
I looked. I beheld. The next room presented itself to my sight freely.
It spread out before me, this room which was not mine. The voice that had been singing had gone, and in going had left the door open, and it almost seemed as though the door were still swinging on its hinges. There was nothing in the room but a lighted candle, which trembled on the mantelpiece.
At that distance the table looked like an island, the bluish and reddish pieces of furniture, in their vague outline, like the organs of a body almost alive.
I looked at the wardrobe. Bright, confused lines going straight up, its feet in darkness. The ceiling, the reflection of the ceiling in the glass, and the pale window like a human face against the sky.
I returned to my room--as if I had really left it--stunned at first, my thoughts in a whirl, almost forgetting who I was.
I sat down on my bed, thinking things over quickly and trembling a little, oppressed by what was to come.
I dominated, I possessed that room. My eyes entered it. I was in it. All who would be there would be there with me without knowing it. I should see them, I should hear them, I should be as much in their company as though the door were open.
. . . . .
A moment later I raised my face to the hole and looked again.
The candle was out, but some one was there. It was the maid. No doubt she had come in to put the room in order. Then she paused.
She was alone. She was quite near me. But I did not very well see the living being who was moving about, perhaps because I was dazzled by seeing it so truly--a dark blue apron, falling down from her waist like rays of evening, white wrists, hands darker than her wrists from toil, a face undecided yet striking, eyes hidden yet shining, cheeks prominent and clear, a knot on top of her head gleaming like a crown.
A short time before I had seen the girl on the staircase bending over cleaning the banisters, her reddened face close to her large hands. I had found her repulsive because of those blackened hands of hers and the dusty chores that she stooped over. I had also seen her in a hallway walking ahead of me heavily, her hair hanging loose and her body giving out an unpleasant odour, so that you felt it was obnoxious and wrapped in dirty underwear.
. . . . .
And now I looked at her again. The evening gently dispelled the ugliness, wiped out the misery and the horror, changed the dust into shadow, like a curse turned into a blessing. All that remained of her was colour, a mist, an outline; not even that; a thrill and the beating of her heart. Every trace of her had disappeared save her true self.
That was because she was alone. An extraordinary thing, a dash of the divine in it, to be actually alone. She was in that perfect innocence, that purity which is solitude.
I desecrated her solitude with my eyes, but she did not know it, and so /she/ was not desecrated.
She went over to the window