The Idler in France | Page 5

Marguerite Gardiner
work was completed--the fitness of which is not more to HBO commended than that of the work itself: the whole offering a curious mixture of military and rococo taste.
It was in the freshness of early morning that I, yesterday, again visited the garden of the fountain and its fine chesnut trees and laurel roses; the latter, growing in great luxuriance, looked beautiful, the sun having not yet scorched them. The fountain, too, in its natural bed, which is not less than seventy-two French feet in diameter, and twenty feet in depth, was pellucid as crystal, and through it the long leaves that nearly cover the gravel appeared green as emerald.
The hill above the fountain has been tastefully planted with evergreen trees, which shade a delicious walk, formed to its summit.
This improvement to the appearance, as well as to the _agr��ments_, of Nismes, is due to Monsieur d'Haussey[1], prefect, whose popularity is said to be deservedly acquired, by his unremitting attention to the interests of the city, and his urbanity to its inhabitants.
Nismes is a gay town, if I may judge by the groups of well-dressed women and men we have observed at the promenade.
It has a considerable garrison, and the officers are occasionally seen passing and repassing; but not, as I have often remarked in England, lazily lounging about as if anxious to kill time, but moving briskly as if on business.
The various accomplishments acquired by young men in France offer a great resource in country quarters. Drawing, in which most of them have attained a facility, if not excellence, enables them to fill albums with clever sketches; and their love of the fine arts leads them to devote some hours in most days to their cultivation.
This is surely preferable to loitering in news-rooms, sauntering in the shops of pretty milliners, breaking down the fences of farmers, or riding over young wheat--innocent pastimes, sometimes undertaken by young officers for mere want of some occupation.
The Temple of Diana is in the vicinity of the fountain, which has given rise to the conjecture that it originally constituted a portion of the ancient baths. Its shape is rectangular, and a large opening in the centre forms the entrance.
Twelve niches, five of which open into the partition of the temple, and two on the right and left of the entrance, are crowned by frontons alternately circular and triangular, and are said to have contained statues. This is one of the most picturesque ruins I ever saw. Silence and solitude reign around it, and wild fig-trees enwreath with their luxuriant foliage the opening made by Time, and half conceal the wounds inflicted by barbarian hands.
I could have spent hours in this desecrated temple, pondering on the brevity of life, as compared with its age. There is something pure and calm in such a spot, that influences the feelings of those who pause in it; and by reminding them of the inevitable lot of all sublunary things, renders the cares incidental to all who breathe, less acutely felt for the time.
Is not every ruin a history of the fate of generations, which century after century has seen pass away?--generations of mortals like ourselves, who have been moved by the same passions, and vexed by the same griefs; like us, who were instinct with life and spirit, yet whose very dust has disappeared. Nevertheless, we can yield to the futile pleasures, or to the petty ills of life, as if their duration was to be of long extent, unmindful that ages hence, others will visit the objects we now behold, and find them little changed, while we shall have in our turn passed away, leaving behind no trace of our existence.
I never see a beautiful landscape, a noble ruin, or a glorious fane, without wishing that I could bequeath to those who will come to visit them when I shall be no more, the tender thoughts that filled my soul when contemplating them; and thus, even in death, create a sympathy.

CHAPTER II.
ARLES.
We stopped but a short time at Beaucaire, where we saw the largo plain on the banks of the Rhone, on which are erected the wooden houses for the annual fair which takes place in July, when the scene is said to present a very striking effect.
These wooden houses are filled with articles of every description, and are inhabited by the venders who bring their goods to be disposed of to the crowds of buyers who flock here from all parts, offering, in the variety of their costumes and habits, a very animated and showy picture.
The public walk, which edges the grassy plain allotted to the fair, is bordered by large elm-trees, and the vicinity to the river insures that freshness always so desirable in summer, and more especially in a climate so warm as this.
The
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