The Human Comedy: Introductions and Appendix | Page 9

Honoré de Balzac
or not it is impossible to say. Here is a /Traite de la Vie Elegante/, inestimable for certain critical purposes. So early as 1825 we find a /Code des Gens Honnetes/, which exhibits at once the author's legal studies and his constant attraction for the shady side of business, and which contains a scheme for defrauding by means of lead pencils, actually carried out (if we may believe his exulting note) by some literary swindlers with unhappy results. A year later he wrote a /Dictionnaire des Enseignes de Paris/, which we are glad enough to have from the author of the /Chat-que-Pelote/; but the persistence with which this kind of miscellaneous writing occupied him could not be better exemplified than by the fact that, of two important works which closely follow this in the collected edition, the /Physiologie de l'Employe/ dates from 1841 and the /Monographie de la Presse Parisienne/ from 1843.
It is well known that from the time almost of his success as a novelist he was given, like too many successful novelists (/not/ like Scott), to rather undignified and foolish attacks on critics. The explanation may or may not be found in the fact that we have abundant critical work of his, and that it is nearly all bad. Now and then we have an acute remark in his own special sphere; but as a rule he cannot be complimented on these performances, and when he was half-way through his career this critical tendency of his culminated in the unlucky /Revue Parisienne/, which he wrote almost entirely himself, with slight assistance from his friends, MM. de Belloy and de Grammont. It covers a wide range, but the literary part of it is considerable, and this part contains that memorable and disastrous attack on Sainte-Beuve, for which the critic afterwards took a magnanimous revenge in his obituary /causerie/. Although the thing is not quite unexampled it is not easily to be surpassed in the blind fury of its abuse. Sainte-Beuve was by no means invulnerable, and an anti-critic who kept his head might have found, as M. de Pontmartin and others did find, the joints in his armor. But when, /a propos/ of the /Port Royal/ more especially, and of the other works in general, Balzac informs us that Sainte-Beuve's great characteristic as a writer is /l'ennui, l'ennui boueux jusqu'a mi-jambe/, that his style is intolerable, that his historical handling is like that of Gibbon, Hume, and other dull people; when he jeers at him for exhuming "La mere Angelique," and scolds him for presuming to obscure the glory of the /Roi Soleil/, the thing is partly ludicrous, partly melancholy. One remembers that agreeable Bohemian, who at a symposium once interrupted his host by crying, "Man o' the hoose, gie us less o' yer clack and mair o' yer Jairman wine!" Only, in human respect and other, we phrase it: "Oh, dear M. de Balzac! give us more /Eugenie Grandets/, more /Pere Goriots/, more /Peaux de Chagrin/, and don't talk about what you do not understand!"
Balzac was a great politician also, and here, though he may not have been very much more successful, he talked with more knowledge and competence. He must have given himself immense trouble in reading the papers, foreign as well as French; he had really mastered a good deal of the political religion of a French publicist. It is curious to read, sixty years after date, his grave assertion that "/La France a la conquete de Madagascar a faire/," and with certain very pardonable defects (such as his Anglophobia), his politics may be pronounced not unintelligent and not ungenerous, though somewhat inconsistent and not very distinctly traceable to any coherent theory. As for the Anglophobia, the Englishman who thinks the less of him for that must have very poor and unhappy brains. A Frenchman who does not more or less hate and fear England, an Englishman who does not regard France with a more or less good-humored impatience, is usually "either a god or a beast," as Aristotle saith. Balzac began with an odd but not unintelligible compound, something like Hugo's, of Napoleonism and Royalism. In 1824, when he was still in the shades of anonymity, he wrote and published two by no means despicable pamphlets in favor of Primogeniture and the Jesuits, the latter of which was reprinted in 1880 at the last /Jesuitenhetze/ in France. His /Lettres sur Paris/ in 1830-31, and his /La France et l'Etranger/ in 1836, are two considerable series of letters from "Our Own Correspondent," handling the affairs of the world with boldness and industry if not invariably with wisdom. They rather suggest (as does the later /Revue Parisienne/ still more) the political writing of the age of Anne in England, and perhaps a little later, when "the wits"

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