awful isolation, and listened to orthodox 
and loyal sermons, and took French rappee; whence too, he stepped 
forth between the files of the guard of honour of the Royal Irish 
Artillery from the barrack over the way, in their courtly uniform, white, 
scarlet, and blue, cocked hats, and cues, and ruffles, presenting 
arms--into his emblazoned coach and six, with hanging footmen, as 
wonderful as Cinderella's, and out-riders out-blazing the liveries of the 
troops, and rolling grandly away in sunshine and dust. 
The 'Ecclesiastical Commissioners' have done their office here. The 
tower, indeed, remains, with half its antique growth of ivy gone; but the
body of the church is new, and I, and perhaps an elderly fellow or two 
more, miss the old-fashioned square pews, distributed by a traditional 
tenure among the families and dignitaries of the town and vicinage 
(who are they now?), and sigh for the queer, old, clumsy reading-desk 
and pulpit, grown dearer from the long and hopeless separation; and 
wonder where the tables of the Ten Commandments, in long gold 
letters of Queen Anne's date, upon a vivid blue ground, arched above, 
and flanking the communion-table, with its tall thin rails, and fifty 
other things that appeared to me in my nonage, as stable as the earth, 
and as sacred as the heavens, are gone to. 
As for the barrack of the Royal Irish Artillery, the great gate leading 
into the parade ground, by the river side, and all that, I believe the earth, 
or rather that grim giant factory, which is now the grand feature and 
centre of Chapelizod, throbbing all over with steam, and whizzing with 
wheels, and vomiting pitchy smoke, has swallowed them up. 
A line of houses fronting this--old familiar faces--still look blank and 
regretfully forth, through their glassy eyes, upon the changed scene. 
How different the company they kept some ninety or a hundred years 
ago! 
Where is the mill, too, standing fast by the bridge, the manorial 
appendage of the town, which I loved in my boyhood for its gaunt and 
crazy aspect and dim interior, whence the clapper kept time 
mysteriously to the drone of the mill-sluice? I think it is gone. Surely 
that confounded thing can't be my venerable old friend in masquerade! 
But I can't expect you, my reader--polite and patient as you manifestly 
are--to potter about with me, all the summer day, through this 
melancholy and mangled old town, with a canopy of factory soot 
between your head and the pleasant sky. One glance, however, before 
you go, you will vouchsafe at the village tree--that stalworth elm. It has 
not grown an inch these hundred years. It does not look a day older 
than it did fifty years ago, I can tell you. There he stands the same; and 
yet a stranger in the place of his birth, in a new order of things, joyless, 
busy, transformed Chapelizod, listening, as it seems to me, always to 
the unchanged song and prattle of the river, with his reveries and
affections far away among by-gone times and a buried race. Thou hast 
a story, too, to tell, thou slighted and solitary sage, if only the winds 
would steal it musically forth, like the secret of Mildas from the 
moaning reeds. 
The palmy days of Chapelizod were just about a hundred years ago, 
and those days--though I am jealous of their pleasant and kindly fame, 
and specially for the preservation of the few memorials they have left 
behind, were yet, I may say, in your ear, with all their colour and 
adventure--perhaps, on the whole, more pleasant to read about, and 
dream of, than they were to live in. Still their violence, follies, and 
hospitalities, softened by distance, and illuminated with a sort of 
barbaric splendour, have long presented to my fancy the glowing and 
ever-shifting combinations upon which, as on the red embers, in a 
winter's gloaming, I love to gaze, propping my white head upon my 
hand, in a lazy luxury of reverie, from my own arm-chair, while they 
drop, ever and anon, into new shapes, and silently tell their 'winter's 
tales.' 
When your humble servant, Charles de Cresseron, the compiler of this 
narrative, was a boy some fourteen years old--how long ago precisely 
that was, is nothing to the purpose, 'tis enough to say he remembers 
what he then saw and heard a good deal better than what happened a 
week ago--it came to pass that he was spending a pleasant week of his 
holidays with his benign uncle and godfather, the curate of Chapelizod. 
On the second day of his, or rather my sojourn (I take leave to return to 
the first person), there was a notable funeral of an old lady. Her name 
was Darby, and her journey to her last home was very considerable, 
being made    
    
		
	
	
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