The House Behind the Cedars | Page 6

a figure," thought Warwick, "ought to be able to face the world with the confidence of Phryne confronting her judges."
By this time Warwick was conscious that something more than mere grace or beauty had attracted him with increasing force toward this young woman. A suggestion, at first faint and elusive, of something familiar, had grown stronger when he heard her voice, and became more and more pronounced with each rod of their advance; and when she stopped finally before a gate, and, opening it, went into a yard shut off from the street by a row of dwarf cedars, Warwick had already discounted in some measure the surprise he would have felt at seeing her enter there had he not walked down Front Street behind her. There was still sufficient unexpectedness about the act, however, to give him a decided thrill of pleasure.
"It must be Rena," he murmured. "Who could have dreamed that she would blossom out like that? It must surely be Rena!"
He walked slowly past the gate and peered through a narrow gap in the cedar hedge. The girl was moving along a sanded walk, toward a gray, unpainted house, with a steep roof, broken by dormer windows. The trace of timidity he had observed in her had given place to the more assured bearing of one who is upon his own ground. The garden walks were bordered by long rows of jonquils, pinks, and carnations, inclosing clumps of fragrant shrubs, lilies, and roses already in bloom. Toward the middle of the garden stood two fine magnolia-trees, with heavy, dark green, glistening leaves, while nearer the house two mighty elms shaded a wide piazza, at one end of which a honeysuckle vine, and at the other a Virginia creeper, running over a wooden lattice, furnished additional shade and seclusion. On dark or wintry days, the aspect of this garden must have been extremely sombre and depressing, and it might well have seemed a fit place to hide some guilty or disgraceful secret. But on the bright morning when Warwick stood looking through the cedars, it seemed, with its green frame and canopy and its bright carpet of flowers, an ideal retreat from the fierce sunshine and the sultry heat of the approaching summer.
The girl stooped to pluck a rose, and as she bent over it, her profile was clearly outlined. She held the flower to her face with a long-drawn inhalation, then went up the steps, crossed the piazza, opened the door without knocking, and entered the house with the air of one thoroughly at home.
"Yes," said the young man to himself, "it's Rena, sure enough."
The house stood on a corner, around which the cedar hedge turned, continuing along the side of the garden until it reached the line of the front of the house. The piazza to a rear wing, at right angles to the front of the house, was open to inspection from the side street, which, to judge from its deserted look, seemed to be but little used. Turning into this street and walking leisurely past the back yard, which was only slightly screened from the street by a china-tree, Warwick perceived the young woman standing on the piazza, facing an elderly woman, who sat in a large rocking-chair, plying a pair of knitting-needles on a half-finished stocking. Warwick's walk led him within three feet of the side gate, which he felt an almost irresistible impulse to enter. Every detail of the house and garden was familiar; a thousand cords of memory and affection drew him thither; but a stronger counter-motive prevailed. With a great effort he restrained himself, and after a momentary pause, walked slowly on past the house, with a backward glance, which he turned away when he saw that it was observed.
Warwick's attention had been so fully absorbed by the house behind the cedars and the women there, that he had scarcely noticed, on the other side of the neglected by-street, two men working by a large open window, in a low, rude building with a clapboarded roof, directly opposite the back piazza occupied by the two women. Both the men were busily engaged in shaping barrel-staves, each wielding a sharp-edged drawing-knife on a piece of seasoned oak clasped tightly in a wooden vise.
"I jes' wonder who dat man is, an' w'at he 's doin' on dis street," observed the younger of the two, with a suspicious air. He had noticed the gentleman's involuntary pause and his interest in the opposite house, and had stopped work for a moment to watch the stranger as he went on down the street.
"Nev' min' 'bout dat man," said the elder one. "You 'ten' ter yo' wuk an' finish dat bairl-stave. You spen's enti'ely too much er yo' time stretchin' yo' neck atter other people. An'