The Honor of the Big Snows | Page 3

James Oliver Curwood
Cummins' wife was a mother! She was one of them now, an indissoluble part of their existence--a part of it as truly as the strange lights for ever hovering over the pole, as surely as the countless stars that never left the night skies, as surely as the endless forests and the deep snows!
Then had come the sudden change, and the gloom, that brought with it the shadow of death, fell like a pall upon the post, stifling its life, and bringing with it a grief that those who lived there had never known before.
There came to them no word from Cummins now.
He stood for a moment before his lighted door, and then went back, and the word passed softly from one to another that the most beautiful thing in the world was still living her sweet life in that little cabin at the end of the clearing.
"You hear the music in the skies--now, my Mélisse?" whispered the man, kneeling beside her again. "It is very pretty to-night!"
"It was not that," repeated the woman.
She attempted to stroke his face, but Cummins saw nothing of the effort, for the hand lay all but motionless. He saw nothing of the fading softness that glowed in the big, loving eyes, for his own eyes were blinded by a hot film. And the woman saw nothing of the hot film, so torture was saved them both. But suddenly the woman quivered, and Cummins heard a thrilling sound.
"It is the music!" she panted. "John, John, it is--the music--of--my-- people!"
The man straightened himself, his face turned to the open door. He heard it now! Was it the blessed angels coming for his Mélisse? He rose, a sobbing note in his throat, and went, his arms stretched out, to meet them. He had never heard a sound like that--never in all his life in this endless wilderness.
He went from the door out into the night, and, step by step, through the snow toward the black edge of the spruce forest. The sobs fell chokingly from his lips, and his arms were still reaching out to greet this messenger of the God of his beloved; for Cummins was a man of the wild and mannerless ways of a savage world, and he knew not what to make of this sweetness that came to them from out of the depths of the black forest.
"My Mélisse! My Mélisse!" he sobbed.
A figure came from the shadows, and with the figure came the music, sweet and soft and low. John Cummins stopped and turned his face straight up to the sky. His heart died within him.
The music ceased, and when he looked again the figure was close to him, staggering as it walked, and a face white and thin and starved came with it. It was a boy's face.
"For the museek of the violon--somet'ing to eat!" he heard, and the thin figure swayed and fell almost into his arms. The voice came weak again. "Thees is Jan--Jan Thoreau--and his violon--"
The woman's bloodless face and her great staring dark eyes greeted them as they entered the cabin. As the man knelt beside her again, and lifted her head against his breast, she whispered once more:
"It is the--music--of my people--the violin!"
John Cummins turned his head.
"Play!" he breathed.
"Ah, the white angel is seek--ver' seek," murmured Jan, and he drew his bow gently across the strings of his violin.
From the instrument there came something so soft and sweet that John Cummins closed his eyes as he held the woman against his breast and listened. Not until he opened them again, and felt a strange chill against his cheek, did he know that his beloved's soul had gone from him on the gentle music of Jan Thoreau's violin.
CHAPTER II
MUKEE'S STORY
For many minutes after the last gentle breath had passed from the woman's lips, Jan Thoreau played softly upon his violin. It was the great, heart-broken sob of John Cummins that stopped him. As tenderly as if she had fallen into a sweet sleep from which he feared to awaken her, the man unclasped his arms and lowered his wife's head to the pillow; and with staring black eyes Jan crushed his violin against his ragged breast and watched him as he smoothed back the shimmering hair and looked long and hungrily into the still, white face.
Cummins turned to him, and, in the dim light of the cabin, their eyes met. It was then that Jan Thoreau knew what had happened. He forgot his starvation. He crushed his violin closer, and whispered to himself:
"The white angel ees--gone!"
Cummins rose from the bedside, slowly, like a man who had suddenly grown old. His moccasined feet dragged as he went to the door. They stumbled when he went out into the pale star-glow of the night.
Jan followed, swaying weakly, for the
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