The Historical Nights Entertainment

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The Historical Nights
Entertainment

The Project Gutenberg EBook of The Historical Nights Entertainment,
Second Series
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Title: The Historical Nights Entertainment, Second Series
Author: Rafael Sabatini
Release Date: April, 2005 [EBook #7949] [This file was first posted on
June 4, 2003]
Edition: 10
Language: English
Character set encoding: ISO Latin-1
*** START OF THE PROJECT GUTENBERG EBOOK, THE
HISTORICAL NIGHTS ENTERTAINMENT, SECOND SERIES ***

Text scanned by J. C. Byers. Proofreading by Abdulh Ameed Alhassan.

THE HISTORICAL NIGHTS' ENTERTAINMENT, SECOND
SERIES
by RAFAEL SABATINI

To David Whitelaw
My Dear David,
Since the narratives collected here as well as in the preceding volume
under the title of the Historical Nights Entertainment-- narratives
originally published in The Premier Magazine, which you so ably
edit--owe their being to your suggestion, it is fitting that some
acknowledgment of the fact should be made. To what is hardly less
than a duty, allow me to add the pleasure of dedicating to you, in
earnest of my friendship and esteem, not merely this volume, but the

work of which this volume is the second.
Sincerely yours,
Rafael Sabatini
London, June, 1919.

Preface
The kindly reception accorded to the first volume of the Historical
Nights Entertainment, issued in December of 1917, has encouraged me
to prepare the second series here assembled.
As in the case of the narratives that made up the first volume, I set out
again with the same ambitious aim of adhering scrupulously in every
instance to actual, recorded facts; and once again I find it desirable at
the outset to reveal how far the achievement may have fallen short of
the admitted aim.
On the whole, I have to confess to having allowed myself perhaps a
wider latitude, and to having taken greater liberties than was the case
with the essays constituting the previous collection. This, however,
applies, where applicable, to the parts rather than to the whole.
The only entirely apocryphal narrative here included is the first--"The
Absolution." This is one of those stories which, if resting upon no
sufficient authority to compel its acceptance, will, nevertheless, resist
all attempts at final refutation, having its roots at least in the soil of fact.
It is given in the rather discredited Portuguese chronicles of Acenheiro,
and finds place, more or less as related here, in Duarte Galvao's
"Chronicle of Affonso Henriques," whence it was taken by the
Portuguese historical writer, Alexandre Herculano, to be included in his
"Lendas e Narrativas." If it is to be relegated to the Limbo of the ben
trovato, at least I esteem it to afford us a precious glimpse of the naive
spirit of the age in which it is set, and find in that my justification for
including it.

The next to require apology is "His Insolence of Buckingham," but
only in so far as the incident of the diamond studs is concerned. The
remainder of the narrative, the character of Buckingham, the details of
his embassy to Paris, and the particulars of his audacious courtship of
Anne of Austria, rest upon unassailable evidence. I would have omitted
the very apocryphal incident of the studs, but that I considered it of
peculiar interest as revealing the source of the main theme of one of the
most famous historical romances ever written--"The Three
Musketeers." I give the story as related by La Rochefoucauld in his
"Memoirs," whence Alexandre Dumas culled it that he might turn it to
such excellent romantic account. In La Rochefoucauld's narrative it is
the painter Gerbier who, in a far less heroic manner, plays the part
assigned by Dumas to d'Artagnan, and it is the Countess of Carlisle
who carries out the political theft which Dumas attributes to Milady.
For the rest, I do not invite you to attach undue credit to it, which is not,
however, to say that I account it wholly